A dense, character-driven weave of fantasy, mythology, and romance.
This fantasy debut sees a lady-in-training drawn into battle against an evil force that’s destroying kingdoms far and wide.
While still a child, Adelheide, or “Adlai,” of House DuReiyne left her own family for the safety of House Dombrey. King WenLaon decided to have her raised alongside his son, Willan, while he fought the Shadow spreading through other nations. Now Adlai is a mischievous 16-year-old, and she adores Lord Willan, eight years her senior. One day, while practicing their tracking skills, the pair travels on horseback further than they intended. Cutting through the dark woods toward home, they encounter two winged beasts; a ferocious battle chases away Adlai's horse, and she’s gravely injured. Miraculously, though, she’s soon healthy enough to be reprimanded by headmistress Ardath, an abusive woman capable of boundless cruelties. Later, a cadre of tutors, including the affable Dr. Hindley, arrives to help mold Adlai into a lady fit for court. A disfigured stranger, whom Willan orders Adlai to avoid, then visits the Manor. When the stranger returns Adlai’s missing horse, however, her life turns bizarre. She finds that the answers to lingering questions about her origin are tangled up in both her dreams and her waking world, even as the love that’s carried her through a difficult youth proves unsustainable. Clark’s richly textured fantasy debut casts familiar creatures such as elves, dwarfs, and griffins in elaborate new roles that should surprise longtime readers of the genre. She vividly portrays Adlai’s teenage mindset in lines such as, she “felt an uncanny certainty that every peevish emotion she ever held was worn openly upon her sleeve.” Elsewhere, Adlai receives a mission that adds a religious tenor to the narrative; she’s told by a higher power that “the weaker you are...the more My own strength can freely flow through you.” Occasionally, the descriptions are florid, but when Clark serves up a dreamlike atmosphere (particularly in a scene featuring the Muses), her prose shines. This volume brings the story a measure of closure before speeding Adlai toward further adventures.
A dense, character-driven weave of fantasy, mythology, and romance.Pub Date: Nov. 2, 2014
ISBN: 978-0-692-31801-0
Page Count: 402
Publisher: CreateSpace
Review Posted Online: Aug. 11, 2015
Kirkus Reviews Issue: Sept. 15, 2015
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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