Seven tenuously linked short stories set in a futuristic society in which advanced technology perpetuates illusions of physical beauty and youth.
Rose offers short sci-fi narratives of various lengths centered on the “constructed universe” of BeautyWorld—a future Earth in which science and vanity intersect to cater to ideas of physical perfection. It goes beyond mere cosmetics and plastic surgery: people wear high-tech bodysuits that synchronize with neural implants so that everyone sees everyone else at their most alluring—as long as the hardware and software function. One ironic exception to the artifice is the fact that supermodels are expected to be as naturally flawless as possible; they’re consequently used up and discarded by their early 20s. The story “Supernova” concerns one such fashion tragedy, 20-year-old Mink, who manages to turn her descent into pill-popping and catty photo-shoot feuds into something more lasting due to the intercession of a macabre designer called “Skull.” “Clover Fields Forever” traces the downward spiral of Clover, 29, a vapid fashion-industry hanger-on whose selfish spending and careless job performance lead inexorably to her downfall—hardly atypical in a money-and-looks-are-everything culture. Some of these tales offer old news about beauty being only skin-deep. However, Rose still wrings a surprising amount of drama from what threatens to be a one-gimmick premise. For example, “Death Mask” tells the story of 90-year-old Beetle, a mortician with the delicate task of handling the dead in a society that desperately shies away from death; he finds new purpose when he meets the lonely daughter of a late fashion photographer. Overall, Rose delivers some unexpectedly profound character evolutions. Genre fans may be intrigued, or perhaps disappointed, that despite all the talk of pheromones, voluptuousness, and desire, the stories’ references to sex remain coy, barely reaching PG-13 levels.
An engaging sci-fi dystopia of the drop-dead gorgeous.Pub Date: Dec. 5, 2015
ISBN: 978-1-5197-1162-5
Page Count: 428
Publisher: CreateSpace
Review Posted Online: Jan. 11, 2016
Review Program: Kirkus Indie
Categories: SCIENCE FICTION | GENERAL SCIENCE FICTION & FANTASY
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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
84
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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK REVIEW
BOOK TO SCREEN
With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...
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Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.
Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.
With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.Pub Date: Oct. 1, 2019
ISBN: 978-1-250-31307-2
Page Count: 448
Publisher: Flatiron Books
Review Posted Online: June 30, 2019
Kirkus Reviews Issue: July 15, 2019
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