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(ME, HIM, THEM, AND IT)

Readers who relish self-indulgent inner monologue and expect dramatic arguments, seething resentment, tearful heartbreak,...

A “good girl” experiences an unplanned pregnancy and its aftermath.

Evelyn is a classic good girl, earning top grades and excelling in the art studio as well as on the track. When her parents start paying more attention to their acrimoniously crumbling marriage than to their daughter, she punishes them by becoming drinking, drugging, sex-having Bad Evelyn. Unfortunately, Bad Evelyn’s exploits become a punishment for her, too, as her protection-free sex with Todd leads to an unplanned pregnancy. Evelyn’s situation is the stuff of classic YA problem novels: What will she do about her pregnancy? How will she live with her choices? Will her heart, in fact, go on? Fearing expulsion from her competitive and deeply conservative Catholic high school, Evelyn relocates to Chicago to live with her aunts Linda and Nora and their daughters while she makes her choices and protects her GPA. Evelyn is a tough nut to crack, and she’s not particularly likable, but through all her self-contradictory crabbiness and emotionally withholding fears, readers may see someone recognizably real. First-time author Carter drags her narrative out, making readers angst along with Evelyn as she chronicles every week of her pregnancy and beyond.

Readers who relish self-indulgent inner monologue and expect dramatic arguments, seething resentment, tearful heartbreak, unspoken anxieties, unexpected friendships and ultimately, graceful reconciliation, will not be disappointed. (Fiction. 14-16)

Pub Date: Feb. 26, 2013

ISBN: 978-1-59990-958-5

Page Count: 320

Publisher: Bloomsbury

Review Posted Online: Dec. 25, 2012

Kirkus Reviews Issue: Jan. 15, 2013

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HOW I GOT SKINNY, FAMOUS, AND FELL MADLY IN LOVE

A biggest loser.

A fat teen employs patently unsafe weight-loss techniques on reality television and gets skinny.

Emery’s face-lifted, Botoxing mother named her after a manicure tool, yet somehow Emery doesn’t fit in with her swimsuit-model, boob-enhanced sister or fitness-freak father. What if she weren’t fat? She acquiesces to the filming of a weight-loss reality show in her home, wanting the prize—if Emery loses 50 pounds in 50 days, she’ll win $1,000,000—but author Baker, chief news correspondent of E! Entertainment Television, makes skinniness itself the golden goal, snarkily bashing fatness from the start. The show’s producers require intense exercise and severe calorie restriction; behind their backs, Emery adds laxative tea and Adderall. Attempts to satirize the extremity—the nutritionist who takes Emery down to 790 calories per day authored How to Eat without Actually Eating—have the impact of Post-it notes on a billboard. Baker wants it both ways: Laxatives, speed and “insanely low” calories give Emery both “an eating disorder” and “good habits,” a cognitive disconnect if ever there was one; moreover, the eating disorder vanishes after its single mention, ending the story on a bizarrely upbeat note. Continuity inconsistencies may well drive readers crazy; that 790-calorie diet could well be a 395-calorie diet, for instance, but it’s just not clear. Family secrets and reality TV twists aside, this is a cheap instruction guide for dangerous dieting.

A biggest loser. (Fiction. 14-16)

Pub Date: April 22, 2014

ISBN: 978-0-7624-5014-5

Page Count: 304

Publisher: Running Press

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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PLAY ME BACKWARDS

Surprisingly heartfelt. (Fiction. 14-16)

In his final year of high school, Leon must choose between maintaining his comfortable existence or blowing it all up to chase something greater. 

Leon is on track to do nothing extraordinary with his life. He works at the local ice cream shop alongside his best friend, Stan, and hangs out with the screwballs and weirdos that come in. The gang shuns such bourgeois drudgery as the SATs and college applications in favor of typical teenage tomfoolery, but there’s a fine line between a smart, bored kid and a burnout. Leon is the former. When a few moments of chance bring him and popular girl Paige together, Leon begins to shake out of his slacker stupor. This is a particularly smart and sweet teenage love story, refusing to rely on burning passion or overwrought sentiment. There’s an emotional maturity in the way Selzer draws Leon and Paige’s courtship. It is by far the best part of the book. Less engaging are the peripheral characters, particularly Stan, a kid who believes that he’s the devil himself. The character and his influence on the story just don’t work, and time spent with him feels wasted when it could be spent elsewhere. Leon’s journey to personal responsibility is another topic well-tackled, making this an engaging, character-driven piece with several pros that mightily outweigh the cons. 

Surprisingly heartfelt. (Fiction. 14-16)

Pub Date: Aug. 26, 2014

ISBN: 978-1-4814-0104-3

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: April 29, 2014

Kirkus Reviews Issue: May 15, 2014

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