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THE BLESSING SEED

A CREATION MYTH FOR THE NEW MILLENNIUM

In this thought-provoking and handsomely executed fable, God puts a positive spin on humankind’s partaking of the fruit of the tree of life. “In the beginning, God sang everything alive,” and in a paradise in which the gifts of the natural world are crucial, a coffee-colored Woman yearns to know of her and Man’s special gifts. The results of eating from the tree of life are dramatic, manifest in such details as the animals hiding from the couple. Although they are frightened by the consequences of their act, God smiles: “I made human beings for their longing to know—it is time for you to explore the four paths.” Rather than the punishment of the Fall, these two find in their error an ultimately enriching experience, as they thank God and spread His blessing throughout the earth. The vibrant watercolors, resembling batik prints, are composed with ingenuity to reveal an abundant, evolving planet. The plants, animals and people are stylized to beautiful effect; Man and Woman are naked, but not graphically so. In an author’s note, Matthews offers a lengthy, meaty rationale for her determination to offer a story of “original blessing” rather than original sin, and cites her sources; readers, therefore, set sail with a steady hand on the tiller. This rewarding book has a place on many shelves, and not only in religious markets. (Picture book. 4-7)

Pub Date: Aug. 20, 1998

ISBN: 1-901223-28-0

Page Count: 32

Publisher: Barefoot Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1998

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BUNNY MONEY

From the Max & Ruby series

In the siblings' latest adventure, their grandmother is having a birthday (again! see Bunny Cakes, p. 67), so Ruby takes Max shopping. A music box with skating ballerinas is Ruby's idea of the perfect present; Max favors a set of plastic vampire teeth. Ruby's $15 goes fast, and somehow, most of it is spent on Max. The music box of Ruby's dreams costs $100, so she settles for musical earrings instead. There isn't even a dollar left for the bus, so Max digs out his lucky quarter and phones Grandma, who drives them home—happily wearing her new earrings and vampire teeth. As ever, Wells's sympathies are with the underdog: Max, in one-word sentences, out-maneuvers his officious sister once again. Most six- year-olds will be able to do the mental subtraction necessary to keep track of Ruby's money, and Wells helps by illustrating the wallet and its dwindling contents at the bottom of each page where a transaction occurs. Younger children may need to follow the author's suggestion and have an adult photocopy the ``bunny money'' on the endpapers, so they can count it out. Either way, the book is a great adjunct to primary-grade math lessons. (Picture book. 4-7)

Pub Date: Sept. 1, 1997

ISBN: 0-8037-2146-3

Page Count: 32

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1997

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TOYS GALORE

Clever verse coupled with bold primary-colored images is sure to attract and hone the attention of fun-seeking children...

A fizzy yet revealing romp through the toy world.

Though of standard picture-book size, Stein and illustrator Staake’s latest collaboration (Bugs Galore, 2012, etc.) presents a sweeping compendium of diversions for the young. From fairies and gnomes, race cars and jacks, tin cans and socks, to pots ’n’ pans and a cardboard box, Stein combs the toy kingdom for equally thrilling sources of fun. These light, tightly rhymed quatrains focus nicely on the functions characterizing various objects, such as “Floaty, bubbly, / while-you-wash toys” or “Sharing-secrets- / with-tin-cans toys,” rather than flatly stating their names. Such ambiguity at once offers Staake free artistic rein to depict copious items capable of performing those tasks and provides pre-readers ample freedom to draw from the experiences of their own toy chests as they scan Staake’s vibrant spreads brimming with chunky, digitally rendered objects and children at play. The sense of community and sharing suggested by most of the spreads contributes well to Stein’s ultimate theme, which he frames by asking: “But which toy is / the best toy ever? / The one most fun? / Most cool and clever?” Faced with three concluding pages filled with all sorts of indoor and outside toys to choose from, youngsters may be shocked to learn, on turning to the final spread, that the greatest one of all—“a toy SENSATION!”—proves to be “[y]our very own / imagination.”

Clever verse coupled with bold primary-colored images is sure to attract and hone the attention of fun-seeking children everywhere. (Picture book. 4-7)

Pub Date: Sept. 10, 2013

ISBN: 978-0-7636-6254-7

Page Count: 32

Publisher: Candlewick

Review Posted Online: July 16, 2013

Kirkus Reviews Issue: Aug. 1, 2013

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