Twenty-eight more flights of fancy from a rapidly improving nabob of nonsense. Here, working mostly in flat, dark colors, Brown pairs scenes featuring stylized human and animal figures with big almond eyes to verses that introduce oddball sorts. So the portmanteau “Allicatter Gatorpillar,” takes readers to “Weatherbee’s Diner” where the cooks literally cook up a storm, and muse over such knotty questions as how an audience of slugs might applaud or whether it’s right to have a birthday cake with light bulbs rather than candles. The art isn’t all just post-modern decoration either; “Never mind the passing sights— / There’s nothing much to see,” Brown ironically assures readers as two riders in a “TV Taxi,” eyes glued to boob tubes, pass obliviously by a dodo, a dinosaur and other uncommon sights. Composed with a fine ear for consistent rhythms and silly wordplay, these verses will tempt readers into repeat visits, or as the poet puts it: “Swivel on your kneecap. / Wobble like a mud flap. / Take a little catnap. / Do it all again!” (Poetry. 8-11)
Pub Date: April 3, 2006
ISBN: 0-618-56298-2
Page Count: 64
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
This oversized companion to the much ballyhooed My Very First Mother Goose (1996) will take toddlers and ex-toddlers deeper into the playscapes of the language, to meet Old King Cole, Old Mother Hubbard, and Dusty Bill From Vinegar Hill; to caper about the mulberry bush, polka with My Aunt Jane, and dance by the light of the moon. Mixing occasional humans into her furred and feathered cast, Wells creates a series of visual scenarios featuring anywhere from one big figure, often dirty or mussed, to every single cat on the road to St. Ives (over a thousand). Opie cuts longer rhymes down to two or three verses, and essays a sly bit of social commentary by switching the answers to what little girls and boys are made of. Though Wells drops the ball with this last, legitimizing the boys’ presence in a kitchen by dressing them as chefs, in general the book is plainly the work of a match made in heaven, and merits as much popularity as its predecessor. (Folklore. 1-6)
Pub Date: Oct. 1, 1999
ISBN: 0-7636-0683-9
Page Count: 107
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Prose poems celebrate the feats of young heroines, some of them famous, and some not as well-known. Paul (Hello Toes! Hello Feet!, 1998, etc.) recounts moments in the lives of women such as Rachel Carson, Amelia Earhart, and Wilma Rudolph; these moments don’t necessarily reflect what made them famous as much as they are pivotal events in their youth that influenced the direction of their lives. For Earhart, it was sliding down the roof of the tool shed in a home-made roller coaster: “It’s like flying!” For Rudolph, it was the struggle to learn to walk without her foot brace. Other women, such as Violet Sheehy, who rescued her family from a fire in Hinckley, Minnesota, or Harriet Hanson, a union supporter in the fabric mills of Massachusetts, are celebrated for their brave decisions made under extreme duress. Steirnagle’s sweeping paintings powerfully exude the strength of character exhibited by these young women. A commemorative book, that honors both quiet and noisy acts of heroism. (Picture book/poetry. 6-9)
Pub Date: Nov. 1, 1999
ISBN: 0-15-201477-2
Page Count: 40
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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