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Opaque

From the Scion Saga series , Vol. 1

A somewhat standard, if rousing, supernatural tale combined with a gleefully eccentric teenage romance.

In Leigh-Reign’s debut sci-fi thriller, a teenage misanthrope questions his disturbing proclivities and even his origin after he becomes inexplicably captivated by a new girl at school.

Californian Adam Caspian definitely isn’t a typical 16-year-old. He spends his days sexually desiring his mother, JoAnn, and hating people in general, often referring to them as “animals.” He’s able to subdue these tendencies enough to function socially—although he might have had something to do with the disappearance of a local grocery clerk. However, he’s thoroughly unprepared for Carly Wit, a new student at his high school who doesn’t repulse him; in fact, he can’t stop thinking about her. Carly is definitely peculiar; for example, the dark rings around the irises of her eyes sometimes turn crimson, and at one point, a bump on her forehead, due to an errant football, mysteriously disappears the next day. It turns out that there’s plenty that Adam doesn’t know about Carly—or about himself. He decides to look into his own background after he also rapidly recovers from a serious accident. He soon discovers that he may actually be Russian, like Carly, and that they’re both descended from lineages with a rare, powerful genetic mutation. They also have other relatives with supernatural abilities, collectively called Iksha, who once held their ancestors captive. As Adam slowly learns about his own capabilities, he exposes secrets involving his parents and others. But is there enough light in Carly to save him, or will his darkness engulf them both? Despite the fact that the novel has teenage protagonists, it’s certainly not aimed at readers of that age. Adam, for example, revels in, rather than represses, his Oedipus complex, even believing that he and JoAnn furtively share a mutual attraction. He’s an indelible character, though—an unhinged young man who, by the time he’s partnered with Carly, becomes a convincing romantic lead. This transformation is surprising, but it works because Leigh-Reign delves into his dense back story, which largely explains his darker impulses. Adam is also shown to genuinely care for Carly, who’s a strong character on her own. The book’s second half more closely resembles a YA tale, as it concentrates on the suspense of a lurking enemy and paranormal confrontations.

A somewhat standard, if rousing, supernatural tale combined with a gleefully eccentric teenage romance.

Pub Date: Oct. 22, 2016

ISBN: 978-0-9979239-8-8

Page Count: 256

Publisher: Nnylluc Book Group

Review Posted Online: Sept. 2, 2016

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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