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COMEBACK SEASON

MY UNLIKELY STORY OF FRIENDSHIP WITH THE GREATEST LIVING NEGRO LEAGUE BASEBALL PLAYERS

Baseball fans of whatever stripe will enjoy Perron’s homage to an organization and players too long overlooked.

A fan’s notes on the Negro League of baseball lore.

“When I was growing up in Mobile, Alabama,” writes baseball great Hank Aaron in the foreword, “I taught myself how to hit by swinging at bottle caps with a broomstick.” Material conditions didn’t improve for him until he joined the Indianapolis Clowns and then the Atlanta Braves. Perron’s book is timely, inasmuch as Major League Baseball recently announced that it will include records from the Negro League in its overall statistics. The author, a young White man from the Boston suburbs, has built a formidable collection of artifacts from the time. That collecting instinct was honed over a youthful obsession with Nirvana, for which he learned how to code to build a fan website, as well as a love of old coins, antiques, and other sought-after items. His Negro League collection was built bit by bit, with travels all over the country to interview elderly athletes, interactions that “were personal, meaningful, and with players who had been overlooked by others.” Perron’s attention to players such as John “Mule” Miles, who “became legendary after he hit a home run in eleven straight games,” and Bill Bethea, who worked twice as hard as his teammates until an arm injury halted his pitching career, led to many friendships. Perhaps Perron’s greatest accomplishment, apart from building a collecting company and adding tremendously to the history of the Negro League, was to secure MLB pensions for veterans. “It surely sounded too good to be true, like winning the lottery with a ticket you hadn’t even purchased,” he writes after informing Joe Elliott, a star player from the 1950s, of the windfall. Perron delivers an enthusiastic and detailed account of the players’ work, and his, and it’s a pleasure to read.

Baseball fans of whatever stripe will enjoy Perron’s homage to an organization and players too long overlooked.

Pub Date: March 30, 2021

ISBN: 978-1-9821-5360-1

Page Count: 288

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 5, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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