A brainy, action-packed fantasy outing even more complex and sophisticated than series opener Foundry’s Edge (2015)....


From the Books of Ore series , Vol. 2

Phoebe Plumm and Micah Tanner bravely search for the mysterious Occulyth, which they hope will resolve all of their challenges in this second of the Books of Ore.

Phoebe blames herself for the loss of her father, Dr. Jules Plumm, a former key employee of the Foundry, the powerful Meridian-based technology company that exploits the metal creatures of Mehk. Meanwhile the Covenant, the resistance army made up of disaffected mehkans, is fighting back against the Foundry’s imperialism and looking to Phoebe and Micah to help. Phoebe, who turns 13 in this installment, is thrust into the limelight, seeking an illuminated path and wondering how to act around ardent warriors who treat her like a saint. Baity and Zelkowicz, both animators, enter into some heavy-duty worldbuilding in this volume, complete with an origin story, new allies and enemies, and an extensive original vocabulary. They even create a whole religion—including excerpts from Scripture—that is refreshingly female-dominated. The novel explores themes of political, environmental, and even spiritual plundering as well as what it means to be Waybound. Phoebe insists: “People will change….They’ll have to.”

A brainy, action-packed fantasy outing even more complex and sophisticated than series opener Foundry’s Edge (2015). (glossary) (Fantasy. 11-14)

Pub Date: April 12, 2016

ISBN: 978-1-4231-6239-1

Page Count: 352

Publisher: Disney-Hyperion

Review Posted Online: Feb. 2, 2016

Kirkus Reviews Issue: Feb. 15, 2016

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A trilogy opener both rich and strange, if heavy at the front end.


From the Peculiar Children series , Vol. 1

Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.

The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.

A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)

Pub Date: June 7, 2011

ISBN: 978-1-59474-476-1

Page Count: 234

Publisher: Quirk Books

Review Posted Online: March 31, 2014

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Not much forward momentum but a tasty array of chills, thrills, and chortles.


From the Peculiar Children series , Vol. 4

The victory of Jacob and his fellow peculiars over the previous episode’s wights and hollowgasts turns out to be only one move in a larger game as Riggs (Tales of the Peculiar, 2016, etc.) shifts the scene to America.

Reading largely as a setup for a new (if not exactly original) story arc, the tale commences just after Jacob’s timely rescue from his decidedly hostile parents. Following aimless visits back to newly liberated Devil’s Acre and perfunctory normalling lessons for his magically talented friends, Jacob eventually sets out on a road trip to find and recruit Noor, a powerful but imperiled young peculiar of Asian Indian ancestry. Along the way he encounters a semilawless patchwork of peculiar gangs, syndicates, and isolated small communities—many at loggerheads, some in the midst of negotiating a tentative alliance with the Ymbryne Council, but all threatened by the shadowy Organization. The by-now-tangled skein of rivalries, romantic troubles, and family issues continues to ravel amid bursts of savage violence and low comedy (“I had never seen an invisible person throw up before,” Jacob writes, “and it was something I won’t soon forget”). A fresh set of found snapshots serves, as before, to add an eldritch atmosphere to each set of incidents. The cast defaults to white but includes several people of color with active roles.

Not much forward momentum but a tasty array of chills, thrills, and chortles. (Horror/Fantasy. 12-14)

Pub Date: Oct. 2, 2018

ISBN: 978-0-7352-3214-3

Page Count: 496

Publisher: Dutton

Review Posted Online: Sept. 2, 2018

Kirkus Reviews Issue: Sept. 15, 2018

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