by Camilla Grebe ; translated by Elizabeth Clark Wessel ‧ RELEASE DATE: Dec. 27, 2016
A tour de force that lifts its author to the front rank among the increasingly crowded field of Nordic noir.
Veteran co-author Grebe (More Bitter Than Death, with Åsa Träff, 2013, etc.) takes her first solo turn in this tale of three troubled souls linked by a horrific crime—and what a turn it is.
The discovery of a woman’s corpse in a Stockholm house is doubly eye-opening, partly because the place belongs to clothing tycoon Jesper Orre, famous for his wealth, hard-nosed bargaining tactics, and uncertain temper, and partly because the corpse’s severed head was “placed standing on the floor” to stare at newcomers. The crime is so outré that the closest parallel homicide detective Manfred Olsson can come up with is a cold case he and his partner, Peter Lindgren, worked 10 years ago, the beheading of temp worker Miguel Calderón. In the absence of other leads, Manfred persuades Peter, a train wreck of a man who’s particularly hard on women, to call once again on Hanne Lagerlind-Schön, the consulting psychologist who helped with that case. Manfred doesn’t know that Peter and Hanne have had a fraught history since then; neither detective knows that Hanne is now struggling with early-onset dementia. As if these aren’t complications enough, Grebe cuts repeatedly away from the investigation to focus on Emma Bohman, a salesperson at one of Jesper’s Clothes&More locations who’s swept off her feet by the boss—he meets her, takes her to bed, and proposes marriage—and is then carried along into a nightmare when Jesper improbably borrows an enormous sum of money from her and disappears from her life, only to return, evidently, while she’s out, steal a valuable painting, kill her cat, get her fired, and frame her for robbery. Each of these stories—Peter’s, Hanne’s, and Emma’s—is compelling enough to fuel an entire novel; Grebe’s skill in weaving them together is impressive.
A tour de force that lifts its author to the front rank among the increasingly crowded field of Nordic noir.Pub Date: Dec. 27, 2016
ISBN: 978-0-425-28432-2
Page Count: 368
Publisher: Ballantine
Review Posted Online: Sept. 19, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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by Camilla Grebe ; Åsa Träff ; translated by Paul Norlen
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by Camilla Grebe Åsa Träff & translated by Paul Norlen
by Blake Crouch ‧ RELEASE DATE: July 26, 2016
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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by Karin Slaughter ‧ RELEASE DATE: Sept. 29, 2015
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
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Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
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