A gentle tale well-suited for family-history and creative-writing units.
Around the turn of the last century, a Greek village girl wears her beloved red dress as she goes about her daily life only to be separated from it when the family emigrates.
The child and her dress lead a seemingly idyllic, nature-filled life under blue skies, among whitewashed buildings, but they long for adventure. For unexplained reasons, the family boards a ship, where girl and dress play and go to school as before, details that subtly convey the length of the passage. Upon arrival at Ellis Island, the family is separated from the trunk in which the dress is now packed. The trunk, unclaimed, circles the globe in search of its rightful owners, eventually landing in a secondhand shop. Now grown, the girl spots her dress in the window and buys it for her own daughter. Morstad’s (House of Dreams, 2018, etc.) clean illustrations expertly evoke the era through a nostalgic color palette and the (unnamed) locations through carefully chosen details. The opening and closing spreads echo each other, reinforcing the theme of connection. Immigrant stories are perennially relevant, and the rarely seen 20th-century Greek setting is refreshing. However, the dress—while attributed human feelings—never generates enough emotion to create dramatic tension, and readers are not shown the impact on the family of starting a new life without most of their worldly possessions.
A gentle tale well-suited for family-history and creative-writing units. (Picture book. 4-8)Pub Date: Aug. 7, 2018
ISBN: 978-1-4197-3161-7
Page Count: 40
Publisher: Abrams
Review Posted Online: May 22, 2018
Kirkus Reviews Issue: June 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
The story’s slight but allows kids to practice identifying and dealing with their own big feelings.
The diverse group of kids from All Are Welcome (2018) this time gathers in a vacant lot with tools in hand to clear the debris and make something new. But therein lies the rub: What should the something new be? While the exact nature of the disagreement is unfortunately not made clear to readers, the big feelings that the children exhibit are very clear (and for readers who need practice reading facial clues, there’s a labeled chart of 15 in the frontmatter). This book’s refrain is “How can I help? / What can we do?” And the answers, spread over several pages and not spelled out in so many words but rather shown in the illustrations, are: talk it through, compromise, and see things from another perspective. As a guide for dealing with feelings and problem-solving, the book is a bit slim and lacks a solid story to hook readers. But, as with its predecessor, its strength is again the diversity on display in its pages. There’s a rainbow of skin tones and hair colors as well as abundant variation in hair texture, several children exhibit visible disabilities, including one child who uses a wheelchair, and there are markers of religious and cultural diversity. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at 29.6% of actual size.)
The story’s slight but allows kids to practice identifying and dealing with their own big feelings. (Picture book. 4-8)Pub Date: March 2, 2021
ISBN: 978-0-525-57974-8
Page Count: 42
Publisher: Knopf
Review Posted Online: Dec. 24, 2020
Kirkus Reviews Issue: Jan. 15, 2021
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