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THE FABLED FOURTH GRADERS OF AESOP ELEMENTARY SCHOOL

No teacher wants to teach this year’s fourth-grade class at Aesop Elementary. Just as Mrs. Struggles, the principal, is about to give up, Mr. Jupiter appears with a flawlessly huge resume. The class tests him, but he wins them over as the year progresses through these 23 stories. As the title and school’s name hint, there’s an Aesop connection. Each of the stories has a moral straight out of a fable. Calvin’s troubles with math lead him to wish he was back in unproblematic kindergarten. He becomes the class helper in a class of Stepford kids to the tune of “be careful what you wish for.” In another, librarian—wait for it—Ms. Paige Turner uses the lure of International Geographic to teach Lenny and Bruce the Dewey Decimal System: “necessity is the mother. . . . ” Here’s Sideways Stories from Wayside School married to Aesop. Despite a Dewey error and some humor over the head of the target audience, this is a winner, and the final story seems to promise a fifth-grade sequel. (Fiction. 7-11)

Pub Date: Aug. 14, 2007

ISBN: 978-0-375-83672-5

Page Count: 192

Publisher: Schwartz & Wade/Random

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2007

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HOW TÍA LOLA CAME TO (VISIT) STAY

From the Tía Lola Stories series , Vol. 1

Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay.

Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán. 

When Tía Lola arrives to help the family, Miguel and his hermana, Juanita, have just moved from New York City to Vermont with their recently divorced mother. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. Tía Lola, however, knows a language that defies words; she quickly charms and befriends all the neighbors. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Eventually, Tía Lola and the children swap English and Spanish ejercicios, but the true lesson is "mutual understanding." Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the "language" lessons as the characters. This story seamlessly weaves two culturaswhile letting each remain intact, just as Miguel is learning to do with his own life. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa—the mother tongue.

Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay. (Fiction. 9-11)

Pub Date: March 1, 2001

ISBN: 0-375-80215-0

Page Count: 160

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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RIVER STORY

Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)

Pub Date: June 1, 2000

ISBN: 0-7636-0792-4

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2000

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