by Candace Fleming ; illustrated by G. Brian Karas ‧ RELEASE DATE: March 25, 2014
A dozen years since they first made an appearance, and not a day older or wiser, Fleming’s three young cottontails return to bedevil Mr. McGreely (Muncha! Muncha! Muncha!, 2002, etc.).
The bunnies still have a few tricks up their sleeves to get under Mr. McGreely’s skin. Where once they ate his garden to the ground, now they are doing their unintended best to undermine his vacation, one he has taken expressly to get away from the “floppyeared, pufftailed twitchwhiskers.” They manage to stow away in his car, then happily join him on his beach towel. Mr. McGreely storms off to do some shell collecting (“No bunny—nohow, noway—is sharing my fun day”). He returns with paltry fragments that he is very proud of, only to find that the bunnies have found a trove of spectacular shells. His kite flies for two seconds—again, he’s very proud—while the bunnies paraglide with their kite, and so on. In the end, there is a message about teamwork, which is not to be ignored, but it is Fleming’s text that raises the bar of joy to such heights, with her quirky internal rhymes—“Tippy-Tippy-Tippy, grab!…Tippy-nab”—and descriptive language. Karas invests each character with acres of personality. It’s a happy reunion with the bunnies for children, if a dubious one for Mr. McGreely. (Picture book. 4-8)
Pub Date: March 25, 2014
ISBN: 978-1-4169-5403-3
Page Count: 40
Publisher: Atheneum
Review Posted Online: Nov. 30, 2013
Kirkus Reviews Issue: Dec. 15, 2013
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by Katheryn Russell-Brown ; illustrated by Frank Morrison ‧ RELEASE DATE: July 1, 2014
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)
Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.
Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-1-60060-898-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
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by Craig Smith ; illustrated by Katz Cowley ‧ RELEASE DATE: May 1, 2010
Hee haw.
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The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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