An intimate portrait of an imperfect family, offered as a tribute to its late matriarch.

REMEMBER JOAN

AN ALZHEIMER'S STORY

Part memoir, part family history and driven by love for an absent mother.

Comstock’s account begins with her daughter’s wedding, several months after the death of her mother, Joan. The author relives the moments her mother would have loved. After the first chapter, however, the narrative shifts from addressing Joan directly to a more general tone, inviting the reader into Comstock’s childhood and family life. While there are many happy, humorous moments, the family’s dark side appears in the stories of the patriarch’s serial philandering, as well as the author’s relationship with alcohol beginning at age 13. The book moves between family history and more recent events, as Joan’s Alzheimer’s worsens. Comstock’s anguish deepens as she provides more and more of her mother’s care. Particularly harrowing are the scenes in which Joan’s dementia results in her transfer to—and removal from—a mental facility. Throughout the book, Comstock returns to the theme of community, giving credit and gratitude to the friends and family members who helped with her mom’s care and supported Comstock through the process, and these are among the memoir’s strongest moments. The narrator is less successful when she attempts to draw broader conclusions about life. The author especially loses focus when offering opinions on drinking, religion, and everything in between, without coming to any meaningful conclusions. However, these lapses are only occasional, and the result is an affectionate portrait of a damaged but enduring family that has suffered a profound loss but continues to adapt, survive and move forward.

An intimate portrait of an imperfect family, offered as a tribute to its late matriarch.

Pub Date: Aug. 7, 2011

ISBN: 978-1463730819

Page Count: 250

Publisher: CreateSpace

Review Posted Online: Aug. 31, 2012

Did you like this book?

No Comments Yet

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

Did you like this book?

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Did you like this book?

more