by Candice F. Ransom & illustrated by Karen Ritz ‧ RELEASE DATE: Feb. 1, 2001
For one of two new releases in the On My Own History series (The Daring Escape of Ellen Craft, above), Ransom (Mother Teresa, not reviewed, etc.) details a little-known chapter of American history, the first all–African-American life-saving station on the Outer Banks of the North Carolina coast. The time is 1896 and young Sam Deal admires the bravery and strength of the lighthouse keepers and the surfmen who patrol these dangerous shores. The men let Sam take part in some of the drills but tease him about his horse, Ginger, and his young age. The surfmen prefer mules to aid them in their dangerous work. But there comes a time when Ginger and Sam are invaluable to Keeper Etheridge and his crew. Selfless heroism, personal sacrifice, and courage come together during a rescue. This exciting and fast-paced tale will inspire its young readers and the large typeface and illustrations make the story easy to follow. The watercolors are detailed enough to show the characters’ emotions and reflect the tale’s drama perfectly. The rescue is resolved with the grateful passengers surrounded by their modest crew. It will be hard to forget the sepia-toned photograph of the brave surfmen that accompanies Ransom’s informative afterword. (Web sites) (Historical fiction. 6-10)
Pub Date: Feb. 1, 2001
ISBN: 0-87614-460-1
Page Count: 48
Publisher: Carolrhoda
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Feb. 1, 2002
Categories: CHILDREN'S HISTORICAL FICTION
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by Geronimo Stilton & illustrated by Geronimo Stilton ‧ RELEASE DATE: Jan. 1, 2013
Warp back in time for a prehistoric spinoff adventure with Geronimo Stilton’s ancestor, Geronimo Stiltonoot, in Old Mouse City.
Readers will find Geronimo Stiltonoot a familiar character, outfitted differently from descendant Stilton yet still running a newspaper and having wild adventures. In this introduction to prehistoric mouse life, someone has stolen the most powerful and important artifact housed by the Old Mouse City Mouseum: the Stone of Fire. It’s up to Stiltonoot and his fellow sleuth and friend, Hercule Poirat, to uncover not only the theft, but a dangerous plot that jeopardizes all of Old Mouse City. As stand-ins for the rest of the Stilton cast, Stiltonoot has in common with Stilton a cousin named Trap, a sister named Thea and a nephew named Benjamin. The slapstick comedy and design, busy with type changes and color, will be familiar for Stilton readers. The world is fictionalized for comedic effect, featuring funny uses for dinosaurs and cheeky references to how far back in time they are, with only the occasional sidebar that presents facts. The story takes a bit long to get started, spending a lot of time reiterating the worldbuilding information laid out before the first chapter. But once it does start, it is an adventure Stilton readers will enjoy. Geronimo Stiltonoot has the right combination of familiarity and newness to satisfy Stilton fans. (Fiction. 6-10)
Pub Date: Jan. 1, 2013
ISBN: 978-0-545-44774-4
Page Count: 128
Publisher: Scholastic
Review Posted Online: Nov. 14, 2012
Kirkus Reviews Issue: Dec. 1, 2012
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by Geronimo Stilton & Tom Angleberger ; illustrated by Tom Angleberger
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by Patricia Engel ‧ RELEASE DATE: March 2, 2021
A 15-year-old girl in Colombia, doing time in a remote detention center, orchestrates a jail break and tries to get home.
"People say drugs and alcohol are the greatest and most persuasive narcotics—the elements most likely to ruin a life. They're wrong. It's love." As the U.S. recovers from the repeal of the Deferred Action for Childhood Arrivals program, from the misery of separations on the border, from both the idea and the reality of a wall around the United States, Engel's vital story of a divided Colombian family is a book we need to read. Weaving Andean myth and natural symbolism into her narrative—condors signify mating for life, jaguars revenge; the embattled Colombians are "a singed species of birds without feathers who can still fly"; children born in one country and raised in another are "repotted flowers, creatures forced to live in the wrong habitat"—she follows Talia, the youngest child, on a complex journey. Having committed a violent crime not long before she was scheduled to leave her father in Bogotá to join her mother and siblings in New Jersey, she winds up in a horrible Catholic juvie from which she must escape in order to make her plane. Hence the book's wonderful first sentence: "It was her idea to tie up the nun." Talia's cross-country journey is interwoven with the story of her parents' early romance, their migration to the United States, her father's deportation, her grandmother's death, the struggle to reunite. In the latter third of the book, surprising narrative shifts are made to include the voices of Talia's siblings, raised in the U.S. This provides interesting new perspectives, but it is a little awkward to break the fourth wall so late in the book. Attention, TV and movie people: This story is made for the screen.
The rare immigrant chronicle that is as long on hope as it is on heartbreak.Pub Date: March 2, 2021
ISBN: 978-1-982159-46-7
Page Count: 208
Publisher: Avid Reader Press
Review Posted Online: Dec. 15, 2020
Kirkus Reviews Issue: Jan. 1, 2021
Categories: LITERARY FICTION | FAMILY LIFE & FRIENDSHIP
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More About This Book
SEEN & HEARD
by Cheryl Harness & illustrated by Cheryl Harness ‧ RELEASE DATE: Sept. 30, 1992
Mary, Remember, and Bartholomew Allerton were among the youngest on the Mayflower's first voyage; the words here tell how, with the other newcomers, they suffer tremendous losses but gradually come to view Plymouth as home. Meanwhile, the author's paintings expand considerably on the text with a fanciful map of the journey, a cutaway view of the ship, and crowd scenes of planting, harvest, and thanksgiving. The children, introduced in the first paragraph, don't appear in the illustrations, and are not the focus of any picture, until well into the book. The ongoing disparity between text and art is unsettling; moreover, the text is often clumsy: After the death of Mary—last of the original group—the narrative leaps back to a confusing, incomplete explanation of the Pilgrims' origins. The panoramic watercolors are attractive, with expertly composed, cinematic scenes, but the text, pursuing its separate agenda, regrettably never catches up. (Picture book. 6-9)
Pub Date: Sept. 30, 1992
ISBN: 0-02-742643-2
Page Count: 40
Publisher: N/A
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Aug. 15, 1992
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by Julie Cummins & illustrated by Cheryl Harness
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