A sharp coming-of-age story that makes history come alive.
In Pugh’s debut novel, a young woman from California joins the Freedom Riders in 1961, gets arrested and jailed in Mississippi, and learns that not everyone appreciates a hero.
Jeri Turner is a 17-year-old spitfire who lives with her cantankerous grandmother in Los Angeles in the early ’60s. As the Civil Rights movement sweeps the country, Jeri volunteers with the Congress of Racial Equality to fight segregation in the South via nonviolent protests. Upon arriving at the bus depot in Jackson, Miss., her group is assaulted, arrested and sent to Parchman Farm, the maximum-security unit of Mississippi’s State Prison. There, through her cell’s air vent, Jeri meets black inmate Ellis Lee. Their brief interactions impel Jeri to skirt big-picture racism and focus on helping Lee—a cause that she is convinced deserves attention, but one that proves disappointingly futile. Pugh’s evocative novel effectively encapsulates the physical and emotional volatility of the Civil Rights era. A former Freedom Rider, the author illustrates the frustration, anger, fear and idealism of youth in her spirited, sharp-tongued protagonist. Pugh writes without sentiment, yet her honest dialogue and insightful descriptions of people and places evoke the visceral sting of injustice. Her ability to create and hold tension is a consistent strength in this novel, and the novel’s tension parallels the tension generated during that era. Pugh also balances the external turbulence with inter-movement politics and personalities. Each character has his or her personal motivations for joining CORE, the validity of which are questioned and judged as much as any criminal’s—black or white. The result is a multilayered story that shows how prejudice and condemnation exist on many levels, across generations, races, genders and states.
A sharp coming-of-age story that makes history come alive.Pub Date: Aug. 15, 2011
ISBN: 978-1936782284
Page Count: 239
Publisher: Langdon Street
Review Posted Online: Aug. 3, 2011
Review Program: Kirkus Indie
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
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