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THE TENOR'S SON

MY DAYS WITH PAVAROTTI

You know Luciano, eh? Supremely gifted and universe-famous but modest, earthy, unpretentious: still has his telephone number listed in the Modena phone book. Well, if you know all those things, you don't need this book, and if you don't, or don't care to, or won't believe that such an angelic figure exists, you probably won't want to. This is a thin (in every sense of the word) portrait of the great tenor—part personal memoir but often irritatingly reliant on the words of others, including Pavarotti's own from his ghostwritten 1981 autobiography. The author is an Italian journalist and media man who has known Pavarotti and his wife since childhood, but proportionately one wonders if there's very much here that a review of the supernova's press clippings and interviews couldn't tell you—about the singer's idyllic childhood; his singer father who was prevented from being a star himself because of ``nerves''; his near-fatal plane trip; his monstrous eating (just about the only aspect of the great uomo that procures even a passingly negative reaction from the adoring author); his phenomenal popularity and how he deals with it (he's still surprised by it but he welcomes it). There are periodic discussions of artistic or vocal matters but it's hard to imagine that any reader sufficiently and seriously engaged with opera will get much nourishment from them. One positive note, perhaps, is Bonvicini's exploration of the reserved attitude that the Modenese still hold toward their celebrity son. Stick with the recordings, particularly the early ones, before the voice became pushed and the handkerchief started waving. (Sixteen pages of photographs)

Pub Date: Nov. 26, 1993

ISBN: 0-312-09920-7

Page Count: 208

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1993

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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