This playful frolic in tropical waters is a gentle introduction to the concept of chosen identity and respect for others’...
When Benji and Bel spot an unusual creature on the beach one morning, Benji knows exactly what it is: a dugong. The dugong, however, has a differing opinion.
Not only does the sassy sea mammal take umbrage with being called “it,” she also corrects Benji’s initial assumption. On a double-page spread showcasing her wide gray body, flippers, and short snout, she proclaims, “I am a beautiful mermaid!” Bel is quietly supportive, but when Benji continues to point out all her dugong parts and calls her a sea cow, his negativity finally penetrates, and she bursts into tears. “Benji felt terrible.” He realizes that his words have hurt the dugong and he apologizes. Luckily, though “mermaids are a bit sensitive,” they are also “very forgiving,” and the three spend the rest of the day frolicking in the sea with a host of whimsical and colorful sea animals. Young readers will enjoy inhabiting this tropical world infused with fanciful creatures (mermaid or not), and the message of respecting another’s chosen identities is both clear and gentle. Chessa’s illustrations depict little brown-skinned Benji and Bel with childlike exuberance, and a lovely spread at the end of the day highlights the tropical landscape, framing the dugong swimming off—or is that a mermaid’s tail?
This playful frolic in tropical waters is a gentle introduction to the concept of chosen identity and respect for others’ choices. (author’s note) (Picture book. 3-7)Pub Date: May 15, 2018
ISBN: 978-1-91095-912-1
Page Count: 32
Publisher: Otter-Barry
Review Posted Online: March 26, 2018
Kirkus Reviews Issue: April 15, 2018
BOOK REVIEW
BOOK REVIEW
Chilling in the best ways.
When a young rabbit who’s struggling in school finds a helpful crayon, everything is suddenly perfect—until it isn’t.
Jasper is flunking everything except art and is desperate for help when he finds the crayon. “Purple. Pointy…perfect”—and alive. When Jasper watches TV instead of studying, he misspells every word on his spelling test, but the crayon seems to know the answers, and when he uses the crayon to write, he can spell them all. When he faces a math quiz after skipping his homework, the crayon aces it for him. Jasper is only a little creeped out until the crayon changes his art—the one area where Jasper excels—into something better. As guilt-ridden Jasper receives accolade after accolade for grades and work that aren’t his, the crayon becomes more and more possessive of Jasper’s attention and affection, and it is only when Jasper cannot take it anymore that he discovers just what he’s gotten himself into. Reynolds’ text might as well be a Rod Serling monologue for its perfectly paced foreboding and unsettling tension, both gentled by lightly ominous humor. Brown goes all in to match with a grayscale palette for everything but the purple crayon—a callback to black-and-white sci-fi thrillers as much as a visual cue for nascent horror readers. (This book was reviewed digitally.)
Chilling in the best ways. (Picture book. 4-7)Pub Date: Aug. 23, 2022
ISBN: 978-1-5344-6588-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
This magical wisp of a story has an imaginative message for both planners and improvisers.
Julia decides to pack up and move her House for Lost Creatures, creating a host of problems with unexpected results.
Julia has taken in a cacophony of lost creatures: dwarves, trolls, and goblins, a singular rarity of a mermaid, and a patchwork cat, among others. But now, the house feels ready for a move. As the ghost starts to fade and the mermaid languishes, Julia puts her plan into action—packing books and stacking boxes. The move quickly turns into a series of catastrophes. Trying to retain the facade of control, Julia is dismayed to see her plans making things worse. Knowledge of the previous title, Julia’s House for Lost Creatures (2014), is a helpful introduction, as Hatke turns the solution of the first book into the problem for this one. With skillful pacing, the story has messages for both planners and creatives. The problems seem beyond resolution, keeping readers in gleeful suspended tension. While the first book introduced readers to the gnomish folletti, a hedgehoglike ghillie comes to a dramatic rescue here. There are two disparate messages in one story: Kindness will be returned, and it is OK to not have a plan. Connecting them together are lush illustrations that stretch the mind and add details to mythic beasts. Julia presents white. (This book was reviewed digitally with 8.5-by-22-inch double-page spreads viewed at 25% of actual size.)
This magical wisp of a story has an imaginative message for both planners and improvisers. (Picture book. 3-7)Pub Date: Sept. 29, 2020
ISBN: 978-1-250-19137-3
Page Count: 40
Publisher: First Second
Review Posted Online: June 15, 2020
Kirkus Reviews Issue: July 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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