The razory hip Charlie sallies forth from a hateful adolescence to find sex, self-awareness and then, in its many guises, the thing called love.
Early in Halston’s tale, Charlie has a black sheep tattooed on her back, but that’s more a wish than a reality. Living with an abusive aunt after the death of her parents, she is a smart, reflective creature–post-Goth, baleful and brooding with a long streak of bookish bohemianism–though she displays little smarts when she falls for the tattoo artist. The emotional pain that Charlie experiences is beveled as Halston seesaws the chapters, touching down at the aunt’s house, then eight years later when Charlie has her own bookstore, and between, the now charged, now dolorous years. The author keeps the scale intimate so readers see the events of Charlie’s life up close, from the slap of her aunt reddening her cheek to raw, yet fruitful, discussions with her friends regarding her sexual orientation: “What a gentlemanly feminist you’ve become,” chides one, as Charlie explores her lesbian leanings. The air of the book is sweet but not saccharine, emotionally generous, allowing Charlie to be uncompromising and independent and then tyrannized by her love life, idiosyncratic in her brainy verve, then willing to step back and look at the effluvia of her suburban existence. Halston lets the characters’ actions speak for them and, as a result, well-rounded personalities emerge. Charlie is a gem–a hard-bitten gem for sure–if calculatingly available. Books are her savior, despite the fact that she has to sell them. Customers suck. “Don’t you just hate people?” her boss asks at one point. “Yes. Yes, I do,” says Charlie.
A lovely piece of female confessional.Pub Date: Nov. 29, 2007
ISBN: 978-0-6151-6546-2
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
Categories: GENERAL FICTION
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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
Categories: GENERAL FICTION
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Privileged 30-somethings hide from their woes in Nantucket.
Hilderbrand’s saga follows the lives of Melanie, Brenda and Vicki. Vicki, alpha mom and perfect wife, is battling late-stage lung cancer and, in an uncharacteristically flaky moment, opts for chemotherapy at the beach. Vicki shares ownership of a tiny Nantucket cottage with her younger sister Brenda. Brenda, a literature professor, tags along for the summer, partly out of familial duty, partly because she’s fleeing the fallout from her illicit affair with a student. As for Melanie, she gets a last minute invite from Vicki, after Melanie confides that Melanie’s husband is having an affair. Between Melanie and Brenda, Vicki feels her two young boys should have adequate supervision, but a disastrous first day on the island forces the trio to source some outside help. Enter Josh, the adorable and affable local who is hired to tend to the boys. On break from college, Josh learns about the pitfalls of mature love as he falls for the beauties in the snug abode. Josh likes beer, analysis-free relationships and hot older women. In a word, he’s believable. In addition to a healthy dose of testosterone, the novel is balanced by powerful descriptions of Vicki’s bond with her two boys. Emotions run high as she prepares for death.
Nothing original, but in Hilderbrand’s hands it’s easy to get lost in the story.Pub Date: July 2, 2007
ISBN: 978-0-316-01858-6
Page Count: 352
Publisher: Little, Brown
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 15, 2007
Categories: GENERAL FICTION
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