The straight-arrow son of a maybe-federal agent (he’s not quite sure) turns eco-terrorist in this first offering for kids from one of detective fiction’s funniest novelists. Fans of Hiaasen’s (Basket Case, 2001, etc.) novels for adults may wonder how well his profane and frequently kinky writing will adapt to a child’s audience; the answer is, remarkably well. Roy Eberhardt has recently arrived in Florida; accustomed to being the new kid after several family moves, he is more of an observer than a participant. When he observes a bare-footed boy running through the subdivisions of Coconut Grove, however, he finds himself compelled to follow and, later, to ally himself with the strange boy called Mullet Fingers. Meanwhile, the dimwitted but appealingly dogged Officer Delinko finds himself compelled to crack the case of the mysterious vandals at the construction site of a new Mother Paula’s All-American Pancake House—it couldn’t have anything to do with those cute burrowing owls, could it? The plot doesn’t overwhelm with surprises; even the densest readers will soon suss out the connections between Mullet Fingers, the owls, and Mother Paula’s steadfast denial of the owls’ existence. The fun lies in Hiaasen’s trademark twisted characters, including Dana Matherson, the class bully who regularly beats up on Roy and whose unwitting help Roy wickedly enlists; Beatrice Leep, Mullet Fingers’s fiercely loyal sister and co-conspirator; Curly, Mother Paula’s hilariously inept foreman; and Roy’s equally straight-arrow parents, who encourage him to do the right thing without exactly telling him how. Roy is rather surprisingly engaging, given his utter and somewhat unnatural wholesomeness; it’s his kind of determined innocence that sees through the corruption and compromises of the adult world to understand what must be done to make things right. If the ending is somewhat predictable, it is also entirely satisfying—Hoot is, indeed, a hoot. (Fiction. 10-14)
Pub Date: Sept. 10, 2002
ISBN: 0-375-82181-3
Page Count: 272
Publisher: Knopf
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 2002
SEEN & HEARD
Themes of freedom and responsibility twine between the lines of this short but heavy novel from the author of Because of Winn-Dixie (2000). Three months after his mother's death, Rob and his father are living in a small-town Florida motel, each nursing sharp, private pain. On the same day Rob has two astonishing encounters: first, he stumbles upon a caged tiger in the woods behind the motel; then he meets Sistine, a new classmate responding to her parents' breakup with ready fists and a big chip on her shoulder. About to burst with his secret, Rob confides in Sistine, who instantly declares that the tiger must be freed. As Rob quickly develops a yen for Sistine's company that gives her plenty of emotional leverage, and the keys to the cage almost literally drop into his hands, credible plotting plainly takes a back seat to character delineation here. And both struggle for visibility beneath a wagonload of symbol and metaphor: the real tiger (and the inevitable recitation of Blake's poem); the cage; Rob's dream of Sistine riding away on the beast's back; a mysterious skin condition on Rob's legs that develops after his mother's death; a series of wooden figurines that he whittles; a larger-than-life African-American housekeeper at the motel who dispenses wisdom with nearly every utterance; and the climax itself, which is signaled from the start. It's all so freighted with layers of significance that, like Lois Lowry's Gathering Blue (2000), Anne Mazer's Oxboy (1995), or, further back, Julia Cunningham's Dorp Dead (1965), it becomes more an exercise in analysis than a living, breathing story. Still, the tiger, "burning bright" with magnificent, feral presence, does make an arresting central image. (Fiction. 10-12)
Pub Date: March 1, 2001
ISBN: 0-7636-0911-0
Page Count: 128
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2001
BOOK TO SCREEN
A rollicking, ripping tall tale with ecological subtext.
When rogue feral hogs and a greedy developer threaten to wipe out Sugar Man Swamp, two raccoons know it’s time to rouse the legendary Sugar Man.
Mythic Sugar Man has reigned over Sugar Man Swamp for a “gazillion yesterdays.” Raccoons Bingo and J’miah descend from a line of Official Scouts Sugar Man designated to watch over the swamp and alert him in an emergency. Twelve-year-old Chap has also grown up along the swamp, where his mother operates Paradise Pies Café. Like his recently deceased grandfather, Chap cherishes the swamp. When the swamp’s sleazy owner, Sunny Boy Beaucoup, threatens to evict them to convert the swamp into Gator World Wrestling Arena and Theme Park, Chap takes his grandfather’s place to preserve what he loves. When Bingo and J’miah discover feral hogs descending on the swamp to pulverize the native sugarcane, they risk Sugar Man’s wrath and wake him. Set in the east Texas bayou, like The Underneath (2008) and Keeper (2010), this playful tale teems with bayou flora, fauna and folklore. In a honeyed dialect, the omnipresent narrator directly engages readers, ricocheting between the hilarious human and critter dramas to a riotous finale.
A rollicking, ripping tall tale with ecological subtext. (art not seen) (Fantasy. 10-14)Pub Date: July 23, 2013
ISBN: 978-1-4424-2105-9
Page Count: 384
Publisher: Atheneum
Review Posted Online: April 13, 2013
Kirkus Reviews Issue: May 1, 2013
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