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SUNDOWN

ENGINEERING GIVES THE DEVIL A SUNBURN

A beefy police procedural with well-developed sci-fi and espionage touches.

The assassination of the vice president of the United States leads a New York City police detective to uncover a political conspiracy and a struggle for world domination in Mitchell’s debut dystopian tale, set in the near future.

In 2057, Detective Nick Garvey’s latest case is hush-hush: the unpublicized murder of Vice President Jerome Wellsley and four Secret Service agents in New York. But the top priority for Nick and his partner, Tim Branson, is to protect President Lenora Allison. Nick has a good idea of who would want to have her dead: Jason Beck, the supreme director of the World Council, which, after acquiring the majority of the world’s oil, rules over multiple countries. President Allison, it turns out, is a potential threat to the Council’s control; she’s planning to activate a system, involving a 30-year-old Japanese satellite, that will convert the sun’s energy into electricity for the whole of Manhattan. Nick’s ex-partner, Gerry Martin, who’s now a World Council employee, is a source of inside information. Unfortunately, Beck soon becomes aware of what Gerry and Nick are doing. The detective already has his hands full with his estranged daughter, Sandra, who blames him for her mother’s death and wants to keep him from his 7-year-old granddaughter, Nicole; she’s also latched onto an abusive man named Delmar Pillsbury. As Nick unravels the conspiracy, it will likely put Nick—or someone close to him—in serious jeopardy. Although the novel’s dystopian setting is well-described, it’s first and foremost a detective story. As the gleefully convoluted plot unfolds, Nick slowly uncovers a mystery that involves even more murder; he also detects signs of probable sabotage of the electrical grid, and he eventually exposes a tangled scheme involving, among other things, a curious metal box and a man thought to have died years ago. But Mitchell’s vision of the future in this work seems more alarmingly realistic than those in other sci-fi tales, with law enforcement being an especially striking facet of it. Official city policemen (or “pro cops”) like Nick are a dying breed; the Council’s Pop (short for “Population”) Police are so feared by communities that they’ve taken to safeguarding themselves with their own “paracops.” Mitchell’s environment of World Council domination and surveillance often feels claustrophobic, and it’s literally so when he has Nick traverse dark, underground tunnels with someone in pursuit: “Nick counted twenty faint heartbeats and decided he could wait no longer. Ten steps. Twenty. Twenty-five. No further sounds.” The characters aren’t easily defined, even by their actions; some that initially appear to be Nick’s allies eventually turn out to be something else entirely. There’s surprisingly little violence, although the novel is not without its grimmer moments; dog lovers, in particular, should proceed with caution. But Mitchell contrasts these with bits of tenderness (as when a number on a truck sparks a memory of little Nicole) and humor (as when Tim’s electronic video tablet is deemed “ancient”).

A beefy police procedural with well-developed sci-fi and espionage touches.

Pub Date: N/A

ISBN: N/A

Page Count: 418

Publisher: Covenant Books

Review Posted Online: Sept. 17, 2017

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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