A wonderful trip down movie Memory Lane.
A legendary actor and director reflects on the innumerable films he watched during his first decades as an audience member.
This first book in Reiner’s (Tell Me a Silly Story, 2010, etc.) two-volume pictorial memoir is essentially an opulently produced memory album commemorating many of the earliest movies he watched in a lifetime devoted to film, with the selections dating from the early 20th century to 1950. The book is heavy and generously oversized, and as memoirs go, it takes the unconventional approach of being 90 percent visual: page after page of large period photographs and gorgeous full-color posters accompanied by minimal text comments from the author along the way. He consistently quotes from reviews of the movies in question, but the draw of the volume remains his own reflections. Some of those reactions are jaundiced (about William Wyler’s 1939 Wuthering Heights, starring Merle Oberon and Laurence Olivier, for instance, he grouses: “Fine actors perform in a beautiful love story, but I prefer beautiful love stories where the lovers don’t separate and then die”). And some are winningly idiosyncratic (as when the author presents 1940’s The Mark of Zorro and talks about its famously charismatic star: “Nobody would argue if you said that Tyrone Power was the handsomest leading man of his day and if they did, it’s likely they never saw him in ‘The Mark of Zorro’ ”). A large part of the work’s delight is the way it brings so many of these indelible old movies back into the spotlight, often in touchingly personal tones, as when Reiner mentions 1946’s Stairway to Heaven: “Even though I’m a confirmed atheist I was able to suspend my beliefs so I could enjoy the prospect of climbing the myriad of steps on The Stairway to Heaven so I might, once again, see the deceased members of my beloved family and also my old and dear friends.” The book delivers a series of pleasant surprises, as each film sparks some new memory or quip from a man who’s lived a great deal of Hollywood history himself and frequently recounts meetings with some of the titans of the industry’s golden age.
A wonderful trip down movie Memory Lane.Pub Date: Dec. 31, 2017
ISBN: 978-0-9995182-0-5
Page Count: 406
Publisher: Random Content Publishing
Review Posted Online: Jan. 28, 2019
Kirkus Reviews Issue: March 1, 2019
Review Program: Kirkus Indie
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From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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