A subdued but enthralling examination of life in and outside a courtroom.


For his first criminal case, a Louisiana trial attorney defends a friend, who shot a man on live television, in this debut legal drama.

Jack Carney knows he’ll represent longtime pal Connor Padget, even after watching him gun down a man in police custody during a TV news report. The man his friend shot is Alfred Pohl, a karate instructor whose arrest was for kidnapping Scot, Connor’s 11-year-old son. Connor further suspects that Pohl molested the boy, though he has no proof. The senior partners at Jack’s firm, which specializes in civil matters, don’t want him to take the case, especially after Pohl’s death at the hospital upgrades Connor’s charge to first-degree murder. The district attorney is ready to argue that Connor’s motive was his suspicion of an affair between his wife, Mary Beth, and Pohl.  Jack is going for manslaughter, though he’s certain Connor will still serve time. The lawyer builds his case by digging through Pohl’s sordid history, including duplicity and a prior arrest. But Jack believes the best way for the jury to sympathize with seemingly unremorseful Connor is putting Scot on the stand. Unfortunately, neither Connor nor Mary Beth wants Scot to testify and the couple do what they can to prevent it from happening. Roberts’ legal tale is quietly engaging. The story, for example, follows Jack’s relatively ordinary life: He’s in an apparently loveless marriage with Adrienne while simultaneously attracted to reporter Kathy Postlewait. None of it is overly melodramatic, as if Jack, who narrates, merely wants to relay the events without pretense. The same applies to the murder case, which gradually monopolizes Jack’s time with an end result he fully anticipates. Despite the dry but realistic approach, the story continually captivates, featuring a protagonist willingly risking his career and reputation to help a friend. Jack is also refreshingly blunt, and his dialogue often rings true. “I can’t play detective and search out the real killer like you see on TV,” he tells Connor. “I mean, you’re the one who killed him.”

A subdued but enthralling examination of life in and outside a courtroom.

Pub Date: May 1, 2019

ISBN: 978-1-64237-483-4

Page Count: 238

Publisher: Gatekeeper Press

Review Posted Online: May 7, 2019

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...


Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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More Hallmarkiana, from a shameless expert in the genre.


High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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