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EYE OF THE ALBATROSS

VISION OF HOPE AND SURVIVAL

Light on hard information and weakened by straining for poetic effect, but nonetheless a briskly companionable account of...

An awestruck yet intelligent study of the great sea bird and its environs, by award-winning ocean ecologist Safina (Song for the Blue Ocean, 1998).

Basing himself on a Hawaiian atoll called French Frigate Shoals, the author observes the activities of Amelia, a Laysan Albatross. She’s nesting as the book opens, and it is not long before her chick is hatched. Amelia and her long-term mate flash off on food runs, some as long as 2,500 miles (she has been rigged with a transmitter to track her movements). Safina tries to get into the bird’s head as she reads the ocean’s surface on her long glide for food. For the most part, this strategy produces an enjoyable travelogue layered with material on albatross biology and behavior, plus perhaps more material than necessary about its role as a literary metaphor. The goods on Amelia aren’t really enough to sustain an entire book, so Safina embellishes the proceedings with accounts of time spent with scientists and fishermen in pursuit of seals, sharks, turtles, halibut, sablefish, and other members of the albatross’s extended environmental family. His pacing is right, and the various narrative strands are well intertwined. Faults include ill-considered lyrical forays (“Beneath the daily overburden, our truer nature is this wandering spirit on expansive wings, hungering for a chance to search new horizons, hurtle along”) and an irksome tendency to consecrate the albatross (“Being near these birds touches people with something so profound it seems spiritual”). But Safina’s condemnation of the myriad factors contributing to the destruction of its habitat, from egg and feather hunters to global warming, is right on target. A scene in which an albatross chokes on a plastic toothbrush points the finger of shame squarely off the page.

Light on hard information and weakened by straining for poetic effect, but nonetheless a briskly companionable account of days in the albatrosses’ midst.

Pub Date: May 14, 2002

ISBN: 0-8050-6228-9

Page Count: 416

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2002

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THE BOOK OF EELS

OUR ENDURING FASCINATION WITH THE MOST MYSTERIOUS CREATURE IN THE NATURAL WORLD

Unsentimental nature writing that sheds as much light on humans as on eels.

An account of the mysterious life of eels that also serves as a meditation on consciousness, faith, time, light and darkness, and life and death.

In addition to an intriguing natural history, Swedish journalist Svensson includes a highly personal account of his relationship with his father. The author alternates eel-focused chapters with those about his father, a man obsessed with fishing for this elusive creature. “I can’t recall us ever talking about anything other than eels and how to best catch them, down there by the stream,” he writes. “I can’t remember us speaking at all….Because we were in…a place whose nature was best enjoyed in silence.” Throughout, Svensson, whose beat is not biology but art and culture, fills his account with people: Aristotle, who thought eels emerged live from mud, “like a slithering, enigmatic miracle”; Freud, who as a teenage biologist spent months in Trieste, Italy, peering through a microscope searching vainly for eel testes; Johannes Schmidt, who for two decades tracked thousands of eels, looking for their breeding grounds. After recounting the details of the eel life cycle, the author turns to the eel in literature—e.g., in the Bible, Rachel Carson’s Under the Sea Wind, and Günter Grass’ The Tin Drum—and history. He notes that the Puritans would likely not have survived without eels, and he explores Sweden’s “eel coast” (what it once was and how it has changed), how eel fishing became embroiled in the Northern Irish conflict, and the importance of eel fishing to the Basque separatist movement. The apparent return to life of a dead eel leads Svensson to a consideration of faith and the inherent message of miracles. He warns that if we are to save this fascinating creature from extinction, we must continue to study it. His book is a highly readable place to begin learning.

Unsentimental nature writing that sheds as much light on humans as on eels.

Pub Date: May 5, 2020

ISBN: 978-0-06-296881-4

Page Count: 256

Publisher: Ecco/HarperCollins

Review Posted Online: Feb. 29, 2020

Kirkus Reviews Issue: March 15, 2020

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A FIRE STORY

Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.

A new life and book arise from the ashes of a devastating California wildfire.

These days, it seems the fires will never end. They wreaked destruction over central California in the latter months of 2018, dominating headlines for weeks, barely a year after Fies (Whatever Happened to the World of Tomorrow?, 2009) lost nearly everything to the fires that raged through Northern California. The result is a vividly journalistic graphic narrative of resilience in the face of tragedy, an account of recent history that seems timely as ever. “A two-story house full of our lives was a two-foot heap of dead smoking ash,” writes the author about his first return to survey the damage. The matter-of-fact tone of the reportage makes some of the flights of creative imagination seem more extraordinary—particularly a nihilistic, two-page centerpiece of a psychological solar system in which “the fire is our black hole,” and “some veer too near and are drawn into despair, depression, divorce, even suicide,” while “others are gravitationally flung entirely out of our solar system to other cities or states, and never seen again.” Yet the stories that dominate the narrative are those of the survivors, who were part of the community and would be part of whatever community would be built to take its place across the charred landscape. Interspersed with the author’s own account are those from others, many retirees, some suffering from physical or mental afflictions. Each is rendered in a couple pages of text except one from a fellow cartoonist, who draws his own. The project began with an online comic when Fies did the only thing he could as his life was reduced to ash and rubble. More than 3 million readers saw it; this expanded version will hopefully extend its reach.

Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.

Pub Date: March 5, 2019

ISBN: 978-1-4197-3585-1

Page Count: 160

Publisher: Abrams ComicArts

Review Posted Online: Nov. 25, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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