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MORE ROOTABAGAS

Three volumes of the "American fairy tales" the poet called "Rootabaga Stories" were published between 1922 and 1930; later, according to an introduction by Sandburg scholar George Hendrick, he wrote dozens more that have never been published. Here, Hendrick selects ten that "most reflect Sandburg's incomparable storytelling magic." Favorite characters and places—"The Potato Face Blind Man," "Ax Me No Questions," "The Village of Liver and Onions"—join characters with names recalling Sandburg's children's nicknames ("Spink," "Skabootch," "Swipes") and some grand new ones (one trio: "Burnt Chestnuts," "The Beans Are Burning," and "Sweeter Than The Bees Humming"). For connoisseurs of Sandburg's uniquely whimsical and melodious use of the American idiom, these tales are a delight; the ruminative, ear-tickling repetitions, visual images, astonishing juxtapositions, airy surreal happenings, and sly metaphorical comments on human foibles are all here in strength. And Zelinsky's accomplishment is equally great. Using colored pencils on plastivellum drafting film, he mirrors and embellishes Sandburg's fantastical creations with enormous delicacy and imagination, providing dozens of delicious variations on the rutabaga theme (one becomes a coiled blue cat with downward-descending tail, others have fey creatures nestled in their greens), limning characters with characteristic energy, artfully manipulating the very text. His art for the last tale, where the poet makes a cameo appearance, is especially lovely and ingenious. Splendid in every way. (Fiction. 4+)

Pub Date: Oct. 1, 1993

ISBN: 0-679-80070-0

Page Count: 96

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1993

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A DOG NAMED SAM

A book that will make young dog-owners smile in recognition and confirm dogless readers' worst suspicions about the mayhem caused by pets, even winsome ones. Sam, who bears passing resemblance to an affable golden retriever, is praised for fetching the family newspaper, and goes on to fetch every other newspaper on the block. In the next story, only the children love Sam's swimming; he is yelled at by lifeguards and fishermen alike when he splashes through every watering hole he can find. Finally, there is woe to the entire family when Sam is bored and lonely for one long night. Boland has an essential message, captured in both both story and illustrations of this Easy-to-Read: Kids and dogs belong together, especially when it's a fun-loving canine like Sam. An appealing tale. (Picture book. 4-8)

Pub Date: April 1, 1996

ISBN: 0-8037-1530-7

Page Count: 40

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1996

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BEAUTIFUL OOPS!

A festive invitation to creative liberation.

A pleasingly tactile exploration of the possibilities inherent in mistakes.

"A torn piece of paper... / is just the beginning!" Spills, folded paper, drips of paint, smudges and smears—they "all can make magic appear." An increasingly complex series of scenarios celebrates random accidents, encouraging artistic experimentation rather than discouragement. The folded-over paper can be a penguin's head; a torn piece of newsprint can turn into a smiling dog with a little application of paint; a hot-chocolate stain can become a bog for a frog. Thanks to a telescoping pop-up, a hole is filled with nearly limitless possibilities. The interactive elements work beautifully with the photo-collaged "mistakes," never overwhelming the intent with showiness. Saltzberg's trademark cartoon animals provide a sweetly childlike counterpoint to the artful scribbles and smears of gloppy paint.

A festive invitation to creative liberation. (Pop-up. 4-12)

Pub Date: Sept. 23, 2010

ISBN: 978-0-7611-5728-1

Page Count: 28

Publisher: Workman

Review Posted Online: Dec. 10, 2018

Kirkus Reviews Issue: Dec. 1, 2010

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