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UNDER THE WATER

From the Tales from the Hidden Valley series

Completes a seasonal round with dashes of mystery, adventure, and conflict resolved in a wash of bonhomie…plus some big...

The annual celebration of Dragon’s Day to mark the beginning of summer is very nearly spoiled once again for the residents of Hidden Valley when all the fireworks disappear.

It’s really just a misunderstanding. Emerging as she does once a year from the lake, blue-skinned Aqua—described as looking “just like a mermaid” but with legs rather than fins in the illustrations—secretly gathers up the fireworks and other unattended treasures to keep them safe. When Yula, Ticky, and the other residents (who are drawn as diverse, anthropomorphic woodland creatures) confront the supposed thief, she swims off in a rage. Then her pursuers follow in a fishlike submarine they find that’s named Olivier—but are swallowed by the supposedly legendary dragon that had been sleeping at the bottom of the lake. High feelings turn to warm ones after everyone in the valley is treated to a spectacular display as the surprised dragon rises up, spouting a fountain of multicolored rockets (turns out Aqua had hidden them in the sub). Porta brings the ungainly charm of his three previous seasonally themed Hidden Valley outings to this (probable) closer, filling out the ensemble cast with further unconventional characters and leaving Aqua, Olivier, the dragon, and all the rest gathered at a festive banquet beneath moonlit trees.

Completes a seasonal round with dashes of mystery, adventure, and conflict resolved in a wash of bonhomie…plus some big explosions. (Picture book. 3-7)

Pub Date: June 6, 2019

ISBN: 978-1-911171-68-3

Page Count: 48

Publisher: Flying Eye Books

Review Posted Online: March 30, 2019

Kirkus Reviews Issue: April 15, 2019

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THE NIGHT IS YOURS

Vital messages of self-love for darker-skinned children.

On hot summer nights, Amani’s parents permit her to go outside and play in the apartment courtyard, where the breeze is cool and her friends are waiting.

The children jump rope to the sounds of music as it floats through a neighbor’s window, gaze at stars in the night sky, and play hide-and-seek in the moonlight. It is in the moonlight that Amani and her friends are themselves found by the moon, and it illumines the many shades of their skin, which vary from light tan to deep brown. In a world where darkness often evokes ideas of evil or fear, this book is a celebration of things that are dark and beautiful—like a child’s dark skin and the night in which she plays. The lines “Show everyone else how to embrace the night like you. Teach them how to be a night-owning girl like you” are as much an appeal for her to love and appreciate her dark skin as they are the exhortation for Amani to enjoy the night. There is a sense of security that flows throughout this book. The courtyard is safe and homelike. The moon, like an additional parent, seems to be watching the children from the sky. The charming full-bleed illustrations, done in washes of mostly deep blues and greens, make this a wonderful bedtime story.

Vital messages of self-love for darker-skinned children. (Picture book. 3-7)

Pub Date: July 2, 2019

ISBN: 978-0-525-55271-0

Page Count: 32

Publisher: Dial Books

Review Posted Online: March 16, 2019

Kirkus Reviews Issue: April 1, 2019

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PILLOWLAND

For Berkner’s fans; there are much better books about children visiting imaginative lands.

Berkner’s children’s song gets the picture-book treatment with illustrations from Garoche.

What kid hasn’t made a massive pillow fort and imagined all sorts of adventures? Well, Berkner’s premise is that there is a land where everything is made of pillows, and three lucky children get to visit there. (They appear to be siblings, perhaps a blended family: Mom and one girl are black; Dad, one boy, and one girl are white.) The illustrations transition between depictions of obvious imaginative play in a bedroom to a fantasy world and back again at the end, when the parents peek in at the three asleep. Garoche’s art consists of photos of papercut artwork arranged in dioramas with some Photoshop details. Reminiscent of Michael Garland’s work (though more pastel in color) or that of Elly McKay (though less ethereal), the illustrations are a mixed bag, with layers and hard edges juxtaposed against all the pillows. The king and queen of the song are obviously stand-ins for the parents. Children who know the tune may not sit still for a reading, while those who don’t may wonder at the repeated refrain.

For Berkner’s fans; there are much better books about children visiting imaginative lands. (Picture book. 3-7)

Pub Date: Nov. 7, 2017

ISBN: 978-1-4814-6467-3

Page Count: 32

Publisher: Simon & Schuster

Review Posted Online: Aug. 11, 2017

Kirkus Reviews Issue: Sept. 1, 2017

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