by Carlos Andrés Gómez ‧ RELEASE DATE: Oct. 1, 2012
A confidently told but not wholly inspiring memoir.
A young Latino man recounts his coming-of-age amid the usual foibles inherent in growing up.
In his debut memoir, writer/actor Gómez brings his one-man show to the page, exploring issues of fear, forgiveness, sexuality and what it means to be a man. A self-described “middle-class, racist, light-skinned Latino,” the author often employs race as a lens through which to view his world. After an early childhood spent overseas, Gómez returned to a race-conscious America and became increasingly aware of issues regarding race. “During basketball games, at first I would be treated like everyone else, but when the referee heard someone call me Carlos, he would make tighter calls on me,” he writes. Gómez’s complaints are hardly limited to the basketball court, but soon included the failures of various schools, none of which seemed to give Gómez the support he required. The book becomes far more engaging when the author considers his own role in his life’s choices, reflecting on the hard questions. He concludes that while he was occasionally a victim of the world’s biases, oftentimes he played the part of the perpetrator as well, particularly in regard to his relationships with women. Gómez’s straight-talk approach to his philandering (as well as his obvious regret) becomes the highlight of the book, a strand of narrative that seems to absolve him of past trespasses. A greater trespass, however, is Gómez’s seemingly conscious choice to awkwardly assemble his life story to fit a storyline—a trick he often employed to impress women. “I am a pimp,” Gómez admits, speaking of his past relationships, “one who conveniently coopted this narrative throughout his life, on frequent occasion, and exploited the act of honesty to get what he wanted.” His mea culpa, while appreciated, does little to excuse the memoir its more indulgent and didactic moments.
A confidently told but not wholly inspiring memoir.Pub Date: Oct. 1, 2012
ISBN: 978-1-592-40778-1
Page Count: 272
Publisher: Gotham Books
Review Posted Online: Aug. 5, 2012
Kirkus Reviews Issue: Sept. 1, 2012
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by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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SEEN & HEARD
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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