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THE FALLEN by Carlos Manuel Álvarez Kirkus Star

THE FALLEN

by Carlos Manuel Álvarez ; translated by Frank Wynne

Pub Date: June 2nd, 2020
ISBN: 978-1-64445-025-3
Publisher: Graywolf

A dreamlike yet insightful novel of a family and a country decaying from the inside.

Cuban writer Álvarez’s debut novel is slim yet contains remarkably detailed portraits of a family watching their country’s revolution creep toward failure in the 1990s. Diego, the son, is days away from completing his state-mandated military service. His mother, Mariana, is suffering from mysterious seizures that grip her without any notice. Armando, the patriarch, tries to manage a semiluxurious resort beset with corruption while also being hounded by party officials out for their own enrichment. And María, the daughter, is trying to care for her mother while also working at her father’s resort. The chapters alternate points of view among the family members, providing crystalline insights into each person’s experiences and the family’s overall dynamic. The characters narrate their own chapters and reflect on their lives and society around them. Armando, a stalwart supporter of Fidel and Che, laments the current state of Cuba: “...the hardest times are those when no one wants to do anything, times marked by a crisis of values, a spiritual simplemindedness, too little determination.” Armando, Mariana, Diego, and María all look to their pasts in order to understand the struggles of the present. The reader is pulled into a vivid story that’s tender yet never touches on sentimental. Instead, the book pulses with a vivid realism and humanity that is heightened by Wynne’s poetic translation. The country and the family are both afflicted with a malaise that has seeped into their bones and is hard to shake loose. Armando finds comfort by falling into a revolutionary idealism that fewer and fewer people believe in, Mariana’s seizures provide a perverse means of escape, Diego’s nightly patrols at the military base allow him to fall into the chasm of memory, and the pressures of running the family, if not the business, fall on María. Each member of the family, even the country itself, walks a fine line between happiness and dissolution.

Álvarez has written an unnervingly subtle and effective exploration of the cost of blind idealism on families.