by Carly Lee ‧ RELEASE DATE: June 19, 2017
An astute investigation into repeated patterns of abuse and victimhood.
In her debut memoir, Lee painstakingly re-creates her experiences of domestic violence and charts her journey toward self-assurance.
In one of the author’s earliest memories, she recalls her nonreligious father bringing a gun to a Tuesday night Jehovah’s Witness church service and waving it around, as she and her religious mother sat in a pew. She says that her mother talked him down, as she so often did during his verbal and physical abuse, but it foreshadowed events to come. After spending time in a mental hospital, she says, her father shot an older man dead in a car near their home—an event that Lee witnessed. Although he coached her to say that she’d seen nothing, he was eventually arrested, found guilty, and sentenced to 20 years in prison. Later, she says, her high school boyfriend pressured her into sex and then marriage. She temporarily left college to run his grocery store, but when his bullying turned physical and he broke her ribs, she left him. Divorced at 23, she stumbled into an abusive relationship with a man who broke her jaw during a drunken blackout, she says; even so, she stayed with him for six years. Lee’s vivid recall of decades-past events is impressive. Along the way, she effectively interjects psychological insights that she’s gained about various people’s motives. Only with hindsight, for example, has she understood that she repeated her mother’s behavior and internalized blame for bad situations in her life: “My self-worth was nearly nonexistent,” she notes. Her use of the present tense for accounts of her memories allows readers to be there in the moment, experiencing her fear and feeling compassion for her. Later, she insists that the cycle of violence only ends when one admits it: “to stop seeing yourself as a victim of abuse, you must stop denying that the abuse occurred.” A late section, regarding a feud with a neighbor and her own decision to drop the legal battle against the man who broke her jaw, is overlong, but it emphasizes the value of abandoning one’s desire for revenge.
An astute investigation into repeated patterns of abuse and victimhood.Pub Date: June 19, 2017
ISBN: 978-0-692-88445-4
Page Count: 292
Publisher: Bond Press
Review Posted Online: Jan. 11, 2018
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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