Clichéd, overcomplicated plotting and muddled characterization thwart what could have otherwise been an effective potboiler...
A young business manager discovers love, life, and family legacy as she unveils the secrets of her adoption in this sophomore romance.
Five months after her legal guardian dies in a freak accident, Leila Isidro, business manager at New York’s prestigious Golden Leaves Hotel, discovers a diary belonging to her birth mother which promises to shed light on her adoption. The diary tells the story of author Myrna Clarisse Elmer’s blossoming, yet ultimately tragic, romance with a young businessman named Anders Isidro and provides a dramatic counterpoint to Leila’s own fledgling relationship with her boss, the mysterious Denis Fraga. Leila recently suffered the indignity of discovering her fiance’s infidelity moments before marriage and has since soured on romance—“love was just another word in the dictionary, and I was determined to keep it that way”—and when history threatens to repeat itself, she escapes to Florida. But Denis refuses to give her up, even when Leila finally returns to her Spanish birthplace to meet her birth mother. In the idyllic surroundings of Vigo Bay, she faces the ultimate dilemma: Rescue the family business from bankruptcy, or follow her heart and return with Denis to New York? Veteran romance readers may be able to guess her decision with ease, but they may yet be surprised by the convoluted ending. Elsewhere, the story is plagued with Oprea’s (Forever Rose, 2016) taste for the kind of melodramatic plot devices (twin brothers, a timely inheritance, coincidences galore) that would make Dickens blush as well as a romantic male lead who presents himself as a gaslighting sexual-harassment lawsuit in the making. Leila herself trades in the usual romantic clichés—barely a page goes by without some reference to heart palpitations—and yet her inner life remains curiously barren. Similarly, no amount of florid prose can explain or excuse her birth parent’s rampant solipsism and meaningless insistence that Leila “follow [her] heart.”
Clichéd, overcomplicated plotting and muddled characterization thwart what could have otherwise been an effective potboiler romance.Pub Date: Dec. 15, 2017
ISBN: 978-1-979964-18-0
Page Count: 374
Publisher: CreateSpace
Review Posted Online: Feb. 9, 2018
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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