A faithful, if uneven, retelling.

OUR LADY OF GUADALUPE

Bernier-Grand offers her version of the origins of the popular Mexican shrine.

Abandoning her typical free-verse style for a more traditional narrative, the author describes the Aztec Juan Diego’s three encounters with the Virgin Mary on Tepeyac Hill, near Tlatelolco (now Mexico City). Mary requests that Juan Diego tell the local bishop to build her a shrine on the hill. As an Indian, Juan Diego has a difficult time getting an audience with the skeptical man, much less convincing him that the Virgin Mary would reveal herself to such a lowly person. On his third visit to the bishop, Juan Diego carries a sign from the Virgin to the bishop: roses in December. When Juan Diego reveals the roses, the bishop finds that “the image of the Blessed Virgin Mary was painted on Juan Diego’s tilma!” The author concludes the tale with details on the significance of the shrine, the origins of the name “Our Lady of Guadalupe” and other relevant historical facts and dates. While Engel’s stately oil and encaustic illustrations match the seriousness of the book’s subject, readers may be distracted by the type choice and text placement, as well as a few awkward page turns. Those familiar with the author’s verse works may long for her return to that form.

A faithful, if uneven, retelling. (author’s note) (Picture book/religion. 7-12)

Pub Date: April 1, 2012

ISBN: 978-0-7614-6135-7

Page Count: 32

Publisher: Marshall Cavendish

Review Posted Online: Feb. 29, 2012

Kirkus Reviews Issue: March 15, 2012

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Which raises the last question: of a satirical stance in lieu of a perspective.

ARE YOU THERE GOD? IT'S ME, MARGARET.

The comical longings of little girls who want to be big girls—exercising to the chant of "We must—we must—increase our bust!"—and the wistful longing of Margaret, who talks comfortably to God, for a religion, come together as her anxiety to be normal, which is natural enough in sixth grade.

And if that's what we want to tell kids, this is a fresh, unclinical case in point: Mrs. Blume (Iggie's House, 1969) has an easy way with words and some choice ones when the occasion arises. But there's danger in the preoccupation with the physical signs of puberty—with growing into a Playboy centerfold, the goal here, though the one girl in the class who's on her way rues it; and with menstruating sooner rather than later —calming Margaret, her mother says she was a late one, but the happy ending is the first drop of blood: the effect is to confirm common anxieties instead of allaying them. (And countertrends notwithstanding, much is made of that first bra, that first dab of lipstick.) More promising is Margaret's pursuit of religion: to decide for herself (earlier than her 'liberal' parents intended), she goes to temple with a grandmother, to church with a friend; but neither makes any sense to her—"Twelve is very late to learn." Fortunately, after a disillusioning sectarian dispute, she resumes talking to God…to thank him for that telltale sign of womanhood.

Which raises the last question: of a satirical stance in lieu of a perspective.

Pub Date: Oct. 1, 1970

ISBN: 978-1-4814-1397-8

Page Count: 157

Publisher: Bradbury

Review Posted Online: Oct. 15, 2011

Kirkus Reviews Issue: Oct. 1, 1970

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A beautifully rendered setting enfolds a disappointing plot.

A GALAXY OF SEA STARS

In sixth grade, Izzy Mancini’s cozy, loving world falls apart.

She and her family have moved out of the cottage she grew up in. Her mother has spent the summer on Block Island instead of at home with Izzy. Her father has recently returned from military service in Afghanistan partially paralyzed and traumatized. The only people she can count on are Zelda and Piper, her best friends since kindergarten—that is, until the Haidary family moves into the upstairs apartment. At first, Izzy resents the new guests from Afghanistan even though she knows she should be grateful that Dr. Haidary saved her father’s life. But despite her initial resistance (which manifests at times as racism), as Izzy gets to know Sitara, the Haidarys’ daughter, she starts to question whether Zelda and Piper really are her friends for forever—and whether she has the courage to stand up for Sitara against the people she loves. Ferruolo weaves a rich setting, fully immersing readers in the largely white, coastal town of Seabury, Rhode Island. Disappointingly, the story resolves when Izzy convinces her classmates to accept Sitara by revealing the Haidarys’ past as American allies, a position that put them in so much danger that they had to leave home. The idea that Sitara should be embraced only because her family supported America, rather than simply because she is a human being, significantly undermines the purported message of tolerance for all.

A beautifully rendered setting enfolds a disappointing plot. (Fiction. 10-12)

Pub Date: Feb. 4, 2020

ISBN: 978-0-374-30909-1

Page Count: 320

Publisher: Farrar, Straus and Giroux

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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