More often, however, the pairings are only obfuscatory and puzzling; the collection’s scattered points of interest cannot...

TIME TIDINGS

GREETING THE 21ST CENTURY

Oddly surprised and invigorated by the discovery that “no anthology had focused on the theme of time in poetry,” Duffy has attempted to shore up the gap, gathering a collection of poems by 50 contemporary poets (English, Irish and Scottish), in which each was invited to submit his own favorite poem on the topic. This gives us 100 poems altogether, a reassuringly round number for what is, in fact, a very uneven collection. Such a result might have been predicted by the editor. The size of the abstraction is obviously too large: “Ever the Everest among concepts,” was how Merrill measured it in his poem “Time.” Here, the selected poems are so eclectic in their treatment of the theme that the juxtapositions, instead of stimulating, merely bewilder. Elegies and laments predominate, but they are made to cohabit with the eerie enthusiasms of Lawrence’s “New Year’s Night” and the low wit of John Agard’s “How Laughter Made the Clock Smile.” In her introduction Duffy seems resigned to the thought that her hodge-podge will not bear the stamp of any presiding intelligence, but believes this flaw more than compensated for by “the curiously catalytic process by which a poet’s choice would often reveal something new or concealed about their own work.” This is an interesting strategy if the editor can rely on the reader’s familiarity with each of the poet’s œuvre, but since most of these poets are not widely read—especially not on these shores—the gambit founders. For example, the relationship between Henry Graham’s “Mal” and his chosen poem (Rimbaud’s “Barbare”) is foggy at best. What Rimbaud’s poem has to do with Time is cloudier still. There are the occasional minor successes. To read Yeats’ hermetic quatrain “There” after the dizzying colloquialisms of Muldoon’s “As” gives the former poem a new jauntiness and unsuspected lilt.

More often, however, the pairings are only obfuscatory and puzzling; the collection’s scattered points of interest cannot redeem its wider failures.

Pub Date: April 17, 2000

ISBN: 0-85646-313-2

Page Count: 160

Publisher: N/A

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2000

Did you like this book?

No Comments Yet

LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 1996

Did you like this book?

No Comments Yet

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

SUMMER ISLAND

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Did you like this book?

more