Another sleuthing triumph for San Francisco’s elderly Sister Mary Helen of Mount Saint Francis College and her Irish best friend Sister Eileen (Death of An Angel, 1997, etc.). The murder victim this time is Monsignor Joseph Higgins, pastor of St. Agatha’s—a suavely elegant man with a taste for the finer things, now found dead of poison after a meeting of the parish council. Sisters Mary Helen and Eileen, delivering a loaf of homemade Irish soda bread to the rectory in honor of St. Patrick’s Day, were invited by the Monsignor to join the council meeting for tea and were appalled by the tension- charged atmosphere at the table as tea and the hacked-up soda bread were handed round by surly housekeeper Eveleen Glynn. The other participants—retired professor Nicholas Komsky; alcoholic George Jenkin; bejeweled Tina Rodiman; weepy Debbie Stevens; recent widower and council treasurer Fred Davis, and parish administrator Sister Noreen—all make clear their scorn and hatred for the Monsignor, who was accused at the time of his death of using church funds for his own self-indulgence. Getting to the bottom of things takes a couple of replays of the meeting, orchestrated by Inspector Dennis Gallagher with partner Kate Murphy and accompanied by his usual bitter complaints about Sister Mary Helen’s attempts to help. But help she does—eventually arriving at the crucial clue to the killer. Clumsily plotted and largely unsuspenseful but enlivened by its series of incisive character studies—and sure to please the Sister’s legion of fans. . . . L¢pez-Ortega, Antonio MOONLIT: Stories Trans. by Nathan Budoff Lumen/Brookline (224 pp.) $15.95 paperback original Aug. 1, 1998 ISBN: 1-57129-057-5 A mosaic portrait of contemporary Venezuela emerges with seductive intensity, if only imperfect clarity from this first collection of 61 variously related vignettes and meditations, many scarcely a page in length. The long first section, entitled “Moonlit,” gathers “stories” that seemingly re-imagine in different forms an unnamed family’s experiences (particularly vacations and miscellaneous excursions) and traumas (the abduction, perhaps death, of a wife; the dangers to which young siblings are exposed; a failed artist’s suicidal fantasies). The briefer “Futures and Other Times” assembles more general images of annihilation and apocalypse; and a concluding section (“Extremes”) juxtaposes the family’s stories against such real events as the horrendous murder of a three-year-old by two Liverpool preadolescents. One admires Ortega’s concision and mastery of tone, but the opacity and redundancy also prominent in these accomplished miniatures discourages us from fully entering their dark, disintegrating world.

Pub Date: Sept. 10, 1998

ISBN: 0-312-19256-8

Page Count: 256

Publisher: Dunne/St. Martin's

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.


Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Locke’s advancement here is so bracing that you can’t wait to discover what happens next along her East Texas highway.


The redoubtable Locke follows up her Edgar-winning Bluebird, Bluebird (2017) with an even knottier tale of racism and deceit set in the same scruffy East Texas boondocks.

It’s the 2016 holiday season, and African American Texas Ranger Darren Matthews has plenty of reasons for disquiet besides the recent election results. Chiefly there’s the ongoing fallout from Darren’s double murder investigation involving the Aryan Brotherhood of Texas. He and his wife are in counseling. He’s become a “desk jockey” in the Rangers’ Houston office while fending off suspicions from a district attorney who thinks Darren hasn’t been totally upfront with him about a Brotherhood member’s death. (He hasn’t.) And his not-so-loving mother is holding on to evidence that could either save or crucify him with the district attorney. So maybe it’s kind of a relief for Darren to head for the once-thriving coastal town of Jefferson, where the 9-year-old son of another Brotherhood member serving hard time for murdering a black man has gone missing while motorboating on a nearby lake. Then again, there isn’t that much relief given the presence of short-fused white supremacists living not far from descendants of the town’s original black and Native American settlers—one of whom, an elderly black man, is a suspect in the possible murder of the still-missing boy. Meanwhile, Darren’s cultivating his own suspicions of chicanery involving the boy’s wealthy and imperious grandmother, whose own family history is entwined with the town’s antebellum past and who isn’t so fazed with her grandson’s disappearance that she can’t have a lavish dinner party at her mansion. In addition to her gifts for tight pacing and intense lyricism, Locke shows with this installment of her Highway 59 series a facility for unraveling the tangled strands of the Southwest’s cultural legacy and weaving them back together with the volatile racial politics and traumatic economic stresses of the present day. With her confident narrative hands on the wheel, this novel manages to evoke a portrait of Trump-era America—which, as someone observes of a pivotal character in the story, resembles “a toy ball tottering on a wire fence” that “could fall either way.”

Locke’s advancement here is so bracing that you can’t wait to discover what happens next along her East Texas highway.

Pub Date: Sept. 17, 2019

ISBN: 978-0-316-36340-2

Page Count: 304

Publisher: Mulholland Books/Little, Brown

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: July 15, 2019

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