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BETWEEN FRIENDS

THE CORRESPONDENCE OF HANNAH ARENDT AND MARY MCCARTHY 1949-1975

An absorbing document of a time, a culture, and a friendship. They make slightly incongruous comrades, the sober German ÇmigrÇ philosopher of totalitarianism and the sparkling chronicler of the vicissitudes of American intellectual life. But their initial suspicion warmed into what Brightman (Writing Dangerously, 1992) accurately characterizes as an ``epistolary romance.'' The relationship spanned an eventful quarter-century and provided Arendt with her closest American confidante. For McCarthy, Arendt's reflective nature and intellectual rigor seem to have supplied important qualities in which she felt comparatively wanting. Beginning amid the querulous, paranoid wreckage of post-McCarthy American liberalism and closing in the fractious aftermath of Watergate, their competitive but by all accounts deep-rooted friendship grounds a quirky, insightful running commentary on postwar American intellectual life. The exchanges sometimes have a distinctly theatrical air, especially when McCarthy confesses her tempestuous emotional upheavals to a sympathetic but slightly skeptical Arendt. At other times (as when Arendt tutors McCarthy on the genealogies of European thought), the relationship has a touch of pedagogy about it. The names dropped comprise a Who's Who of American opinion-making, from intellectual cold warriors like Sidney Hook and Norman Podhoretz to cultural monuments as varied as Saul Bellow and Dick Cavett. What evolves through the shared reflections—alongside the expected political and philosophical musings and the tales of house parties, soirees, and summits on Cape Cod, Riverside Drive, and the Left Bank—is a growing and touching intimacy that eventually finds the two addressing each other as ``my love'' and ``my dear.'' There is a certain poignancy for the contemporary reader, too, in the sense these letters communicate of a vibrant and engaged intellectual culture that seems almost to have vanished from American life. A fascinating record that casts each of its formidable protagonists in a gentler and more personal light.

Pub Date: Jan. 1, 1995

ISBN: 0-15-100112-X

Page Count: 576

Publisher: Harcourt

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Nov. 1, 1994

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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