by Carole Bumpus ‧ RELEASE DATE: Aug. 18, 2020
An engaging gastronomic presentation of French history and culture.
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This sequel offers French family stories—and recipes—from Nord-Pas-de-Calais, Normandy and Brittany on the Atlantic coast, the Loire Valley, and Auvergne.
With tape recorder and notepad in hand, Bumpus—traveling with Josianne, her French-speaking friend and guide—first interviewed Veronique for this collection. Veronique lived east of Dunkirk in the Monts de Flandres area, close to the Belgian border. Madame Pund, Veronique’s mother, served “her famous Potjevlesh”(meat pot), a Flemish specialty. Historically, the dish was prepared from leftover meats, such as “rabbit, chicken, and pork…all roasted with a lot of herbs.” Fearful of stirring tragic memories, the author cautiously asked Veronique whether her mother would mind talking about World War II. With Madame Pund’s permission, Veronique launched into the story of her father, whose family escaped the German bombings of Dunkirk. He was 9 years old when his mother and aunt decided to flee. With the men out fighting the Germans, his aunt, who did not know how to drive, became the designated driver. She “could barely reach the pedals…and didn’t know how to use the brake.” To stop the car, Veronique’s father would “jump out and put a block of wood in front of the wheels.” When German airplanes strafed the line of cars, they would “all jump into the ditch.” In Normandy, Bumpus visited the Cathedral of Our Lady in Bayeux, consecrated in 1077, to see the church where a 200-foot-long tapestry depicting “the entire story of William the Conqueror…woven into the cloth” originally resided. The author’s straightforward narrative delivers vivid imagery of both the surroundings and the people: “The air was crisp and sparkling as we drove along the beach”; Madame Pund “moved through the room with some discomfort yet carried herself in a regal manner.” As a poignant illustration of Bumpus’ belief that the trauma of war permanently changes lives, she introduces a French grandmother who had barely survived in Paris during World War II. Upon hearing of 9/11, the woman ordered 500 kilos of potatoes, just in case. All of the recipes discussed and sampled are included in this enjoyable work.
An engaging gastronomic presentation of French history and culture. (maps)Pub Date: Aug. 18, 2020
ISBN: 978-1-63152-896-5
Page Count: 376
Publisher: She Writes Press
Review Posted Online: May 14, 2020
Kirkus Reviews Issue: July 1, 2020
Review Program: Kirkus Indie
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by Steve Martin illustrated by Harry Bliss ‧ RELEASE DATE: Nov. 17, 2020
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
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IndieBound Bestseller
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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edited by Cole Brown & Natalie Johnson ; illustrated by Natalie Johnson ‧ RELEASE DATE: Oct. 24, 2023
A wide-ranging collection of testaments to what moves the heart.
Black Americans declare their love.
This anthology brings together dozens of love letters by prominent Black Americans. The entries, interspersed with illustrations, address an eclectic mix of topics arranged under five categories: Care, Awe, Loss, Ambivalence, and Transformation. In their introduction, editors Brown and Johnson note the book’s inspiration in the witnessing of violence directed at Black America. Reckonings with outrage and grief, they explain, remain an urgent task and a precondition of creating and sustaining loving bonds. The editors seek to create “a site for our people to come together on the deepest, strongest emotion we share” and thus open “the possibility for shared deliverance” and “carve out a space for healing, together.” This aim is powerfully realized in many of the letters, which offer often poignant portrayals of where redemptive love has and might yet be found. Among the most memorable are Joy Reid’s “A Love Letter to My Hair,” a sensitive articulation of a hard-won sense of self-love; Morgan Jerkins’ “Dear Egypt,” an exploration of a lifelong passion for an ancient world; and VJ Jenkins’ “Pops and Dad,” an affirmation that it “is beautiful to be Black, to be a man, and to be gay.” Tracey Michae’l Lewis-Giggetts’ “Home: A Reckoning” is particularly thoughtful and incisive in its examination of a profound attachment, “in the best and worst ways,” to Louisville, Kentucky. Most of the pieces pair personal recollections with incisive cultural commentary. The cumulative effect of these letters is to set forth a panorama of opportunities for maintaining the ties that matter most, especially in the face of a cultural milieu that continues to produce virulent forms of love’s opposite. Other contributors include Nadia Owusu, Jamila Woods, Ben Crump, Eric Michael Dyson, Kwame Dawes, Jenna Wortham, and Imani Perry.
A wide-ranging collection of testaments to what moves the heart.Pub Date: Oct. 24, 2023
ISBN: 9781638931201
Page Count: 240
Publisher: Get Lifted Books/Zando
Review Posted Online: June 29, 2023
Kirkus Reviews Issue: Aug. 1, 2023
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