From Cooney (The Voice on the Radio, 1996, etc.), a hard look at the tacit, unacknowledged racism that lurks beneath the surface of an affluent, supposedly enlightened community. Macey loves her Connecticut town. Her grandparents, Papa and Nana, provide a home for her during the frequent absences of her upwardly mobile parents; school and friends are great; and handsome Austin is taking a flattering interest in her. The only thing that worries her is the reaction she gets from everyone she asks about a mysterious fire in 1959 that destroyed a local barn, and a renovated apartment within it, where a black teacher lived. When Macey is assigned community service painting an inner- city church, she is paired with a parishioner, Venita, and they bond, immediately. That day, however, an arsonist sets fire to the church, and they and others are almost killed. Macey is shocked at the viciousness of the act, and more curious about the long-ago fire near her home. When Venita is killed trying to protect a little girl from a gang, Macey grieves and begins to question seriously the chasm of hate between blacks and whites. The truth about the 1959 fire, which was deliberately set and witnessed by those closest to her, nearly destroys her. This thought-provoking story has a powerful message, effortlessly woven into the ordinary trappings of a teenager’s life. Cooney allows for no cozy ending; as Macey faces what racism has done to her community, readers will question what it has done to theirs. (Fiction. 12-14)
Pub Date: Feb. 1, 1999
ISBN: 0-385-32318-2
Page Count: 230
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1998
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel.
A Holocaust tale with a thin “Hansel and Gretel” veneer from the author of The Devil’s Arithmetic (1988).
Chaim and Gittel, 14-year-old twins, live with their parents in the Lodz ghetto, forced from their comfortable country home by the Nazis. The siblings are close, sharing a sign-based twin language; Chaim stutters and communicates primarily with his sister. Though slowly starving, they make the best of things with their beloved parents, although it’s more difficult once they must share their tiny flat with an unpleasant interfaith couple and their Mischling (half-Jewish) children. When the family hears of their impending “wedding invitation”—the ghetto idiom for a forthcoming order for transport—they plan a dangerous escape. Their journey is difficult, and one by one, the adults vanish. Ultimately the children end up in a fictional child labor camp, making ammunition for the German war effort. Their story effectively evokes the dehumanizing nature of unremitting silence. Nevertheless, the dense, distancing narrative (told in a third-person contemporaneous narration focused through Chaim with interspersed snippets from Gittel’s several-decades-later perspective) has several consistency problems, mostly regarding the relative religiosity of this nominally secular family. One theme seems to be frustration with those who didn’t fight back against overwhelming odds, which makes for a confusing judgment on the suffering child protagonists.
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel. (author’s note) (Historical fiction. 12-14)Pub Date: March 6, 2018
ISBN: 978-0-399-25778-0
Page Count: 432
Publisher: Philomel
Review Posted Online: Dec. 20, 2017
Kirkus Reviews Issue: Jan. 15, 2018
Namioka (Den of the White Fox, 1997, etc.) offers readers a glimpse of the ritual of foot-binding, and a surprising heroine whose life is determined by her rejection of that ritual. Ailin is spirited—her family thinks uncontrollable—even at age five, in her family’s compound in China in 1911, she doesn’t want to have her feet bound, especially after Second Sister shows Ailin her own bound feet and tells her how much it hurts. Ailin can see already how bound feet will restrict her movements, and prevent her from running and playing. Her father takes the revolutionary step of permitting her to leave her feet alone, even though the family of Ailin’s betrothed then breaks off the engagement. Ailin goes to the missionary school and learns English; when her father dies and her uncle cuts off funds for tuition, she leaves her family to become a nanny for an American missionary couple’s children. She learns all the daily household chores that were done by servants in her own home, and finds herself, painfully, cut off from her own culture and separate from the Americans. At 16, she decides to go with the missionaries when they return to San Francisco, where she meets and marries another Chinese immigrant who starts his own restaurant. The metaphor of things bound and unbound is a ribbon winding through this vivid narrative; the story moves swiftly, while Ailin is a brave and engaging heroine whose difficult choices reflect her time and her gender. (Fiction. 9-14)
Pub Date: May 1, 1999
ISBN: 0-385-32666-1
Page Count: 154
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1999
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