TOO MUCH, TOO YOUNG

Bridgwood (Trespasses, 1989) continues in the comfortable vein of one-generation family sagas with this unpretentious tale of the intertwining lives of four small-town English baby boomers—a routine wrap-up of the past three decades with all the standard equipment (rebels, yuppies, bond traders, media celebrities, liberated gays) included at no extra charge. Their backgrounds range from upper- to lower-class, their parents from dangerously oversolicitous to outright derelict, and their physical attributes run the gamut from lithe and lovely to stocky and plain—but what all four of Bridgwood's boomers have in common is a primary-school experience overshadowed by Miss Rudd, the stern overlord of their first-grade class. At school, Stephen Nobel, the shy, blond boy whose aristocratic mother likes to dress him up in girl's clothes, tries to cover for the handsome, bullying daddy's boy, Matthew Pryce-Jones, whom Stephen secretly adores; and poverty-ridden Jackie Yardley, who spends her free time cleaning up after her alcoholic mother, is unaware that middle-class tomboy Carolyn Fox hates her for her unconscious beauty and grace. The four grow up practically side by side, often unaware of one another as their fates take separate circuitous paths directed by the blind luck of parentage, money, and character. While Stephen struggles with the issue of his secret homosexuality, Matthew is tossed out of medical school for selling drugs, Jackie goes to London to begin a brilliant career in business, and Carolyn throws herself into a hip, artistic-London life that eventually leads to a role as a TV talk-show hostess. Major setbacks are in store for all the characters, however, as the 80's wind down; inevitably, all opt for some time out in their recently gentrified hometown, where they reunite to attend their elementary-school reunion, burn their old exercise books, and dance around the fire hand in hand. Meat-and-potatoes fare—satisfying, but hardly memorable.

Pub Date: Feb. 1, 1992

ISBN: 0-517-58476-X

Page Count: 448

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 1, 1991

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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