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RAGGED LOVE

A unique but hurried account of a difficult relationship.

Fedotowsky’s debut combines experimental passages and more straightforward memoir fodder in a tribute to her late husband.

The book’s opening line is almost Joycean in its mixture of stream-of-consciousness and Gaelic dialect: “Ah daddy ah beautiful critter ya cannae sleep.” Fedotowsky’s father, an engineer, was dying at age 55. Even as a bereaved teenager, she found humor at his funeral, thinking a line of family members resembled “a row of cartoon monkeys sitting in the bottom of an aquarium.” Such original language particularly enlivens the first two chapters, which edge close to poetry with short, stanzalike paragraphs and impressionistic rather than explanatory details. From the third chapter onward, the book becomes more of a standard memoir, as Fedotowsky chronicles the family’s move to New York and her abortive stint at Boston University. Even in the traditionally chronological sections, however, her variable approach includes direct address (“Are you surprised to learn, dear reader…”) and self-deprecation—equating her loss of virginity with the novelty of sampling instant mashed potatoes for the first time. Soon, Fedotowsky met “Andre the dreamboat,” a Latvian under family pressure to succeed in America. She left her hippie friends behind to join Andre in Quebec, where brutal winters cut them off from the social revolutions of the 1960s. Living in a “rural goddamn wilderness” also strained their relationship, especially when Andre took up drinking after a motorcycle accident. Still, the ties of “ragged love” kept Fedotowsky with Andre; they married in 1970 and moved to California. Andre’s uneven professional life and declining health—kidney failure exacerbated by dementia—make for a strangely hurried portion of the narrative. Andre’s death, at age 63, repeats the memoir’s beginning: “Ah beautiful critter ya cannae sleep.” The last few pages, though, are a particularly rushed roll call of dead family and friends. The Fedotowskys’ tumultuous marriage could surely fill a book twice this length. Although brevity magnifies her passion, the sense of haste is increased by the book’s editing: Punctuation is often lacking, and little attention has been paid to font or page layout.

A unique but hurried account of a difficult relationship.

Pub Date: July 23, 2013

ISBN: 978-1491053331

Page Count: 76

Publisher: CreateSpace

Review Posted Online: March 6, 2014

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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