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THE COFFEE DIARY

A first novel with no shortage of plot or film worthy characters (the mayor "looked like a villain in a low-budget...

Returning from San Francisco to her native Guatemala to decide the fate of the two coffee farms that were willed to her following her father's murder, Veronica Villagràn comes up against corrupt forces that threaten her as well.

Kellems, a native Californian who owns a coffee plantation in Guatemala with her Guatemalan husband (they met there when she was in the Peace Corps), draws on real-life events to tell an unsettling but ultimately uplifting story about family roots and clashing cultures. Vero, whose American mother returns to California following the killing, has little interest in going back to Guatemala. But when the mayor of Moyuta expresses interest in buying one of the farms to build a low-income housing project, she reluctantly returns. Her plane has barely touched down when her Uncle Carlos gives her a gun, warning her to carry it with her at all times. The mayor wastes no time bullying her or setting his henchmen on her heels. Reunited with her relatives, Vero basks in their closeness and warmth. Reading through the diary she kept as a teenager, she revisits her early romances, family memories and love of her beautiful surroundings. Gradually, she becomes determined to keep the farms. As with everything else in Guatemala following its epic civil war, her family is not entirely what it seems. Her father slept around, her beloved half brother is betraying her and the mayor, who wants to marry her for respectability, has his own secret history with her family.

A first novel with no shortage of plot or film worthy characters (the mayor "looked like a villain in a low-budget Western"), but the writing can be stiff and clichés abound.

Pub Date: Dec. 1, 2010

ISBN: 978-1-59692-363-8

Page Count: 250

Publisher: MacAdam/Cage

Review Posted Online: Oct. 13, 2010

Kirkus Reviews Issue: Nov. 1, 2010

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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