A tender, if disjointed, account of a dysfunctional British family.




A debut novel delivers a family drama set in England in the years immediately following World War II.

Elizabeth Borge was working at a U.S. air base in England in the late 1940s when she met Lonnie Caradine, an American technical sergeant who quickly swept her off her feet. Lonnie gets her pregnant—twice—and promises to marry her, but returns to the U.S. and eventually admits that he is already wed to another. Then Beth becomes pregnant again; the father is a married man named Carl. In a fit of depressive despair, she attempts to kill herself by swallowing a swarm of pills, but she survives, as does her third child, Natalie. Beth finds herself charged with a bevy of crimes, including the attempted murder of her unborn daughter. Beth’s mother, Mary, with whom she suffers a historically strained relationship, helps her secure a lawyer and successfully solicit a letter from President Dwight D. Eisenhower and the Air Force. They admit Lonnie’s parentage of two children and guarantee his financial support, allowing Beth to elude jail time. While she recovers in a hospital, her son, Steven, and her first daughter, Lizzie, live with Mary and adjust to a new home and routine. Once Beth is released, she and her mother convert a portion of Mary’s home into a boardinghouse. They first rent to a rowdy Irish family that withholds payment until the two take legal action, and then to an Indian man, Dan Patel, whom Beth eventually marries. Sherouse bases her touching novel on her own life and adopts shifting perspectives. She recounts the action sometimes through Beth’s eyes and sometimes from the vantage point of Mary or Lizzie, a fictional device that is by turns epistemologically intriguing and a bit confusing. The author’s artistic range is considerable—she hits lightheartedly jocose notes with the same aplomb that she depicts the grimly serious, like Lizzie’s sexual abuse at the hands of Patel. But the plot can get bogged down in the humdrum depiction of quotidian affairs—the book often seems to be a memoir-like catalog of events rather than a dramatic novel—and as a result the pace can be slack.

A tender, if disjointed, account of a dysfunctional British family.

Pub Date: Jan. 29, 2018

ISBN: 978-1-976975-13-4

Page Count: 232

Publisher: CreateSpace

Review Posted Online: March 5, 2018

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.


High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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