A robust lead-in to Cheryl Harness’ They’re Off! (2002) and other more detailed histories.
Horses and rider tackle time, distance, and the elements in this tribute to a legendary Pony Express gallop.
As Rose freely admits, “legendary” may be just the word for Cody’s claim to have been a Pony Express rider. Nonetheless, in galloping rhyme she sends him on his way across Wyoming and back in a dawn-to-dawn dash that Lillington illustrates with scenes of the teenager pounding along past buttes and buffalo, through heavy rain, beneath orange and star-speckled skies in turn. It’s a horsey sort of episode, as both words and pictures specify breeds or types with each change of mount along the trail: “Trade a Mustang for a Morgan, / ’Loosa for a Thoroughbred. / Racing, flying, / ever riding, / hurry, hurry on ahead.” A double-page spread that presents eight separate vignettes of Cody on eight different horses as the sky darkens provides effective visual counterpoint to the verse. A final view of the horse and rider wearily finishing their long route as the sun begins to rise once again gives way to a painted portrait of the grown Buffalo Bill resplendent in his buckskins. The author fills in the historical details in an afterword with period illustrations. Human figures in all the pictures are white.
A robust lead-in to Cheryl Harness’ They’re Off! (2002) and other more detailed histories. (afterword) (Picture book. 6-8)Pub Date: Oct. 1, 2017
ISBN: 978-0-8075-7068-5
Page Count: 37
Publisher: Whitman
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The pleasure of finding unexpected links between a new country and the old suffuses this autobiographical outing.
More warm family memories from the Chinese-American creators of Mahjong All Day Long (2005), with cheery illustrations painted on ceramic plates.
The treasured weekend visits with Auntie and Uncle Yang that help an immigrant family cope with feelings of isolation take on a new wrinkle when Auntie Yang spots a field of soybeans on a Sunday drive. Mao dou were considered animal food in this country at the time but widely consumed in China. The armloads of plants that the friendly farmer allows her to bring home begin an annual picnic tradition. It eventually expands to include many Chicago-area families with, as the young narrator notes, “lots of kids just our ages who all spoke Chinese as badly as we did!” Years later, a long-awaited reunion between Auntie Yang and her sibs from China closes these memories of good times and mouth-watering Chinese food on a joyful note. The simply drawn scenes of busy, festive groups reflect the narrative’s happy tone, and they are capped with old snapshots from past gatherings in the afterword.
The pleasure of finding unexpected links between a new country and the old suffuses this autobiographical outing. (glossary) (Picture book/memoir. 6-8)Pub Date: April 1, 2012
ISBN: 978-1-60060-442-3
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: Feb. 14, 2012
Kirkus Reviews Issue: March 1, 2012
BOOK REVIEW
It remains to be seen whether young listeners will consider Lalouche a real contender.
While he has no difficulty overcoming much larger and fiercer opponents in the boxing ring, the eponymous hero of this quirky collaboration may nonetheless struggle to find an appreciative audience.
Lalouche is a postman in late-19th-century Paris. Slight but strong, he enjoys his work, adores his pet finch, Geneviève, and appreciates his small apartment, even if it doesn’t have a view. Naturally, he is devastated when his superior informs him that he’s being replaced. Determined to find work, he responds to an advertisement for sparring partners, and the rest is history (though there’s a bit of mockery to endure before he triumphs). Luckily enough, the postal service’s new “fleet of electric autocars” don’t work out as expected, so by the happy ending, Lalouche is back to pounding the pavement and chatting with old friends on his regular route. Olshan’s understated text flows smoothly, with occasional French phrases that emphasize the continental charm of his offbeat narrative. Blackall’s ink-and-watercolor illustrations, meanwhile, combine exaggerated size differences and unusual angles with a collagelike style to create a gently humorous, old-fashioned, scrapbook feel. Illustrations of Lalouche’s opponents are particularly amusing, including those that decorate the endpapers. Blackall’s personal collection of pictures of old-time boxers apparently inspired Olshan’s narrative; though thoroughly accomplished, it nonetheless has a very adult feel.
It remains to be seen whether young listeners will consider Lalouche a real contender. (author’s note) (Picture book. 6-8)Pub Date: May 14, 2013
ISBN: 978-0-375-86225-0
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: March 5, 2013
Kirkus Reviews Issue: April 1, 2013
BOOK REVIEW
BOOK REVIEW
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