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TAKING JENNY HOME

A multilayered blend of suspense, mythology and the supernatural, anchored by a thoughtful, young heroine.

Awards & Accolades

Our Verdict

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  • Kirkus Reviews'
    Best Books Of 2014

In her first YA fantasy novel, Kane (Creative Writing, 2002, etc.) deftly weaves the absorbing tale of a shape-shifting Irish wizard, a lethal ghost, a cursed island and a modern-day young girl who may be able to put everything right.

Kane pulls out all the stops in her lively debut fantasy for teens and older tweens. Twelve-year-old Kaitlin, her little brother, poet father and artist mother have moved to Merlin’s Island off the coast of Maine to run an inn. The venture is failing, though, and the island is reputed to be cursed and haunted by the bloody ghost of a “fire-born changeling.” With the appearance of mysterious stranger Michael McClure, the family’s luck turns around; in no time, the inn is a bustling success. Is it merely a coincidence, or is Michael the mythical Irish sea-wizard Manannan Mac Lir, summoned by Kaitlin’s secret prayer? If so, has he been drawn by the island’s curse as well? Is a little girl’s ghost killing people with a bloody touch? And is Kaitlin actually a “true witch,” with the power to help heal the island and dispel its ghost? In this colorful, well-crafted fantasy, Kane easily keeps all of these plates spinning and more: Why does Kaitlin’s mom paint a disturbing and perhaps prescient piece of art? Is the sudden alliance between town busybody Mrs. Roseberry and antiques dealer Sheridan Lockwood more nefarious than simple rumormongering? The singing voices of both Kaitlin and Mac Lir prove crucial to the plot, as do the ancient Chain of Mongan that Kaitlin wears as Michael’s protective gift and a “witch’s scope” sent to Kaitlin by eccentric Dr. Castlemaine for use only in a dire supernatural emergency. Kane brings the diverse plotlines together in a satisfying, fiery crescendo of magical events that feature the redemptive act of a golden-eyed stag and a vivid depiction of Kaitlin’s courageous struggle to tap into a mystical song of healing. In a teasing question-mark twist as the novel draws to a close, the islanders try rationalize the inexplicable: Did any of it really happen? Either way, in Kane’s capable hands, the magic lingers for Kaitlin and for readers.

A multilayered blend of suspense, mythology and the supernatural, anchored by a thoughtful, young heroine. 

Pub Date: Sept. 15, 2010

ISBN: 978-0-615-42302-9

Page Count: 250

Publisher: New Dublin Press

Review Posted Online: March 30, 2014

Kirkus Reviews Issue: May 1, 2014

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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MAYBE

More gift book than storybook, this is a meaningful addition to nursery bookshelves

A young child explores the unlimited potential inherent in all humans.

“Have you ever wondered why you are here?” asks the second-person narration. There is no one like you. Maybe you’re here to make a difference with your uniqueness; maybe you will speak for those who can’t or use your gifts to shine a light into the darkness. The no-frills, unrhymed narrative encourages readers to follow their hearts and tap into their limitless potential to be anything and do anything. The precisely inked and colored artwork plays with perspective from the first double-page spread, in which the child contemplates a mountain (or maybe an iceberg) in their hands. Later, they stand on a ladder to place white spots on tall, red mushrooms. The oversized flora and fauna seem to symbolize the presumptively insurmountable, reinforcing the book’s message that anything is possible. This quiet read, with its sophisticated central question, encourages children to reach for their untapped potential while reminding them it won’t be easy—they will make messes and mistakes—but the magic within can help overcome falls and failures. It’s unlikely that members of the intended audience have begun to wonder about their life’s purpose, but this life-affirming mood piece has honorable intentions. The child, accompanied by an adorable piglet and sporting overalls and a bird-beaked cap made of leaves, presents white.

More gift book than storybook, this is a meaningful addition to nursery bookshelves . (Picture book. 2-8)

Pub Date: Sept. 15, 2019

ISBN: 978-1-946873-75-0

Page Count: 40

Publisher: Compendium

Review Posted Online: May 21, 2019

Kirkus Reviews Issue: June 15, 2019

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