by Carolyn Marsden ‧ RELEASE DATE: Sept. 1, 2011
While the concluding author’s note provides explication of some of these elements, some readers may not stick it out.
In Marsden’s latest tale of cross-cultural friendship, a modern Mayan girl fights to protect her rural Mexican village from encroaching development.
Nine-year-old Rosalba Nicho lives a peaceful life with her parents and siblings in San Martín. Everything changes when she becomes friends with 8-year-old Alicia, a light-haired, green-eyed ladina from Mexico City. Camping nearby while her father works to preserve the local frog population, Alicia dominates most conversations and the friendship in general, establishing a problematic colonizer motif that runs throughout the novel. Soon, government workers inexplicability start bulldozing a road to San Martín, and more frogs begin to die. The author intersperses these third-person chapters with a mystical first-person narrative, following the life of a young male seer named Xunko in 600 C.E. The two narratives finally connect when Xunko begins visiting Rosalba’s dreams, showing her ways to save her village. Unfortunately, with the exception of Rosalba and Xunko, most of the Mayan characters appear petty, ignorant and/or violent. The importance of Mayan weaving and the use of the Popol Vuh add authenticity, yet the intended audience may be overwhelmed by the dual narratives, the environmental aspects, brief references to the Zapatistas and the (unfortunate) inclusion of the Mayan 2012 "apocalypse" prophecy.
While the concluding author’s note provides explication of some of these elements, some readers may not stick it out. (Spanish/Mayan glossary) (Fiction. 9-12)Pub Date: Sept. 1, 2011
ISBN: 978-0-7636-4820-6
Page Count: 224
Publisher: Candlewick
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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by Enrique Flores-Galbis ‧ RELEASE DATE: Aug. 3, 2010
After Castro’s takeover, nine-year-old Julian and his older brothers are sent away by their fearful parents via “Operation Pedro Pan” to a camp in Miami for Cuban-exile children. Here he discovers that a ruthless bully has essentially been put in charge. Julian is quicker-witted than his brothers or anyone else ever imagined, though, and with his inherent smarts, developing maturity and the help of child and adult friends, he learns to navigate the dynamics of the camp and surroundings and grows from the former baby of the family to independence and self-confidence. A daring rescue mission at the end of the novel will have readers rooting for Julian even as it opens his family’s eyes to his courage and resourcefulness. This autobiographical novel is a well-meaning, fast-paced and often exciting read, though at times the writing feels choppy. It will introduce readers to a not-so-distant period whose echoes are still felt today and inspire admiration for young people who had to be brave despite frightening and lonely odds. (Historical fiction. 9-12)
Pub Date: Aug. 3, 2010
ISBN: 978-1-59643-168-3
Page Count: 256
Publisher: Roaring Brook Press
Review Posted Online: June 14, 2010
Kirkus Reviews Issue: July 1, 2010
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by Geraldine McCaughrean & illustrated by Sophy Williams ‧ RELEASE DATE: March 1, 2001
McCaughrean maintains the dizzyingly high standards of The Golden Hoard (1996) and its sequels with this thematic collection of sky myths and legends. Associated with cultures as diverse as Ancient Rome and the Cook Islands, the 15 tales explain, among other things, rainbows, thunder, falling stars, the origin of night, and why the sun and moon live far apart. Whether love stories, tragedies, accounts of heroic deeds or trickster tales, all are likely to be new to young readers, even those as widely told as “Orion’s Downfall” and the Chinese “Bridge of Magpies.” McCaughrean retells them with characteristic vigor: “With sulfur from the hot springs, with magma from the volcanoes, [the gods] fashioned a foe to send against Orion: an insect that wore its skeleton on the outside for armor, a creature the color of rage and venom . . .” Williams’s indistinct, ordinary-looking figures seldom capture the tales’ drama, and while McCaughrean closes with comments on each story, there are no specific source notes. Still, this extends the scope of such Native American gatherings as Gretchen Mayo’s Star Tales (1987), and readers will be captivated by the range of visions here. (Folktales. 9-12)
Pub Date: March 1, 2001
ISBN: 0-689-83015-7
Page Count: 112
Publisher: McElderry
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2000
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by Geraldine McCaughrean ; illustrated by Peter Malone
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