by Carolyn Meyer ‧ RELEASE DATE: April 7, 2015
A slowly paced and occasionally even tedious depiction of a small slice of American railroad history.
Although more than a year too young for the position, almost-17-year-old Kitty takes a job as a Harvey Girl, one of the well-trained waitresses that staffed a national restaurant chain serving rail passengers from the late-19th to mid-20th centuries.
Frustrated that her father no longer has the money to send her to college, budding journalist Kitty applies on a whim, defying family expectations, to become a Harvey Girl. She’s chosen along with outgoing flapper Cordelia, and after a month of rigorous training, they’re sent to work at the Harvey House in Belén, New Mexico. Kitty records her experiences in her diary, sometimes in too-extensive detail. In New Mexico, she slowly develops a romantic relationship with a railroad worker, Gus, and gets to know the Latino culture of the area. As her writing skills improve, she begins to sell articles—included in the text—to the local newspaper. Kitty does a good job of describing the personalities of her co-workers, and because she is so descriptive, the era—the late 1920s—is also neatly depicted. This effort is most likely to appeal to readers who have enjoyed but outgrown the Dear America and American Girl series, but other readers may find the tale lacks sufficient tension to sustain interest through the extended narrative. A smattering of period photographs add flavor.
A slowly paced and occasionally even tedious depiction of a small slice of American railroad history. (Historical fiction. 10-14)Pub Date: April 7, 2015
ISBN: 978-1-62091-652-0
Page Count: 348
Publisher: Calkins Creek/Boyds Mills
Review Posted Online: Jan. 9, 2015
Kirkus Reviews Issue: Jan. 15, 2015
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by Skila Brown ‧ RELEASE DATE: March 25, 2014
A promising debut.
The horrors of the Guatemalan civil war are filtered through the eyes of a boy coming of age.
Set in Chopán in 1981, this verse novel follows the life of Carlos, old enough to feed the chickens but not old enough to wring their necks as the story opens. Carlos’ family and other villagers are introduced in early poems, including Santiago Luc who remembers “a time when there were no soldiers / driving up in jeeps, holding / meetings, making / laws, scattering / bullets into the trees, / hunting guerillas.” On an errand for his mother when soldiers attack, Carlos makes a series of decisions that ultimately save his life but leave him doubting his manliness and bravery. An epilogue of sorts helps tie the main narrative to the present, and the book ends on a hopeful note. In her debut, Brown has chosen an excellent form for exploring the violence and loss of war, but at times, stylistic decisions (most notably attempts at concrete poetry) appear to trump content. While some of the individual poems may be difficult for readers to follow and the frequent references to traditional masculinity may strike some as patriarchal, the use of Spanish is thoughtful, as are references to local flora and fauna. The overall effect is a moving introduction to a subject seldom covered in fiction for youth.
A promising debut. (glossary, author Q&A) (Verse/historical fiction. 10-14)Pub Date: March 25, 2014
ISBN: 978-0-7636-6516-6
Page Count: 208
Publisher: Candlewick
Review Posted Online: Dec. 23, 2013
Kirkus Reviews Issue: Jan. 15, 2014
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by Skila Brown ; illustrated by Jamey Christoph
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by Skila Brown ; illustrated by Bob Kolar
by Mariko Nagai ‧ RELEASE DATE: March 1, 2014
An engaging novel-in-poems that imagines one earnest, impassioned teenage girl’s experience of the Japanese-American...
Crystal-clear prose poems paint a heart-rending picture of 13-year-old Mina Masako Tagawa’s journey from Seattle to a Japanese-American internment camp during World War II.
This vividly wrought story of displacement, told from Mina’s first-person perspective, begins as it did for so many Japanese-Americans: with the bombs dropping on Pearl Harbor. The backlash of her Seattle community is instantaneous (“Jap, Jap, Jap, the word bounces / around the walls of the hall”), and Mina chronicles its effects on her family with a heavy heart. “I am an American, I scream / in my head, but my mouth is stuffed / with rocks; my body is a stone, like the statue / of a little Buddha Grandpa prays to.” When Roosevelt decrees that West Coast Japanese-Americans are to be imprisoned in inland camps, the Tagawas board up their house, leaving the cat, Grandpa’s roses and Mina’s best friend behind. Following the Tagawas from Washington’s Puyallup Assembly Center to Idaho’s Minidoka Relocation Center (near the titular town of Eden), the narrative continues in poems and letters. In them, injustices such as endless camp lines sit alongside even larger ones, such as the government’s asking interned young men, including Mina’s brother, to fight for America.
An engaging novel-in-poems that imagines one earnest, impassioned teenage girl’s experience of the Japanese-American internment. (historical note) (Verse/historical fiction. 11-14)Pub Date: March 1, 2014
ISBN: 978-0-8075-1739-0
Page Count: 128
Publisher: Whitman
Review Posted Online: Jan. 28, 2014
Kirkus Reviews Issue: Feb. 15, 2014
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