by Carrick Mollenkamp ‧ RELEASE DATE: Feb. 1, 1998
An eye-opening look at the news behind the news in America's landmark legal pursuit of Big Tobacco. This well-researched and well-crafted book details exactly how the tobacco industry, which generates about $200 billion a year in revenues and, not insignificantly, is one of the largest political donors, was brought to its knees. Last spring 40 state attorneys general made US history when they announced the first-ever settlement with the heretofore omnipotent tobacco industry. According to the June settlement, the industry will pay $368.5 billion toward smoking-related medical care over the next several years. The settlement also opens the door for Food and Drug Administration regulation of nicotine by 2009 and penalizes the industry if teen smoking doesn't decline. Perhaps most significantly, the settlement marks the first time tobacco executives have openly admitted what the American smoking public has known for years—that tobacco is addictive. Written by members of the original Bloomberg News reporting team that first broke the settlement story (Mollenkamp, Adam Levy, Joseph Menn, Jeffrey Rothfeder), the book weaves together several vital subplots that ultimately made tobacco executives realize that, to paraphrase a once-popular cigarette slogan, it was better to switch their strategies than fight. Confidential records leaks, whistle-blower defections, the reelection of a vocal anti-tobacco president, the hubris of tobacco executives, who outraged Americans by testifying before Congress that tobacco is not addictive—as related here, all these events and more conspired to make tobacco's downfall seem inevitable. The book includes a chronology as well as the official text of the June 20, 1997, settlement. Part thriller, part legal primer, and full of trenchant drama and personalities, this book should be mandatory reading for all congressional representatives pondering how they'll vote on the future of the tobacco industry in America. (16 pages b&w photos)
Pub Date: Feb. 1, 1998
ISBN: 1-57660-057-2
Page Count: 368
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1997
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by Mary Karr ‧ RELEASE DATE: Sept. 15, 2015
A generous and singularly insightful examination of memoir.
A bestselling nonfiction writer offers spirited commentary about memoir, the literary form that has become synonymous with her name.
Personal narrative has exploded in popularity over the last 20 years. Yet, as Karr (Lit: A Memoir, 2009, etc.) points out, memoir still struggles to attain literary respectability. “There is a lingering snobbery in the literary world,” she writes, “that wants to disqualify what is broadly called nonfiction from the category of ‘literature.’ ” In this book, Karr offers both an apology for and a sharp-eyed exploration of this form born from her years as a practitioner as well as a distinguished English professor at Syracuse University. She begins by considering classroom “experiments” she has conducted to show the slipperiness of memory and arguing the need to give latitude to writers tackling memoir. Writing with the intent to record what rings true rather than exact is one thing; writing with the intent to lie is another. Voice is another critical aspect of any memoir that manages to endure through time. By examining works by writers as diverse as Frank McCourt and Vladimir Nabokov, Karr demonstrates that it is in fact the very thing by which a great memoir “lives or dies.” Rather than focus on the narrative truism of “show-don’t-tell,” Karr thoughtfully elaborates on what she calls “carnality”—the ability to transform memory into a multisensory experience—for the reader. When wed to a desire to move beyond the traps of ego and render personal “psychic struggle” honestly and without fear, carnality can lead to writing that not only “wring[s] some truth from the godawful mess of a single life,” but also connects deeply with readers. Karr’s sassy Texas wit and her down-to-earth observations about both the memoir form and how to approach it combine to make for lively and inspiring reading.
A generous and singularly insightful examination of memoir.Pub Date: Sept. 15, 2015
ISBN: 978-0-06-222306-7
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by David Sedaris ‧ RELEASE DATE: June 1, 2000
Naughty good fun from an impossibly sardonic rogue, quickly rising to Twainian stature.
The undisputed champion of the self-conscious and the self-deprecating returns with yet more autobiographical gems from his apparently inexhaustible cache (Naked, 1997, etc.).
Sedaris at first mines what may be the most idiosyncratic, if innocuous, childhood since the McCourt clan. Here is father Lou, who’s propositioned, via phone, by married family friend Mrs. Midland (“Oh, Lou. It just feels so good to . . . talk to someone who really . . . understands”). Only years later is it divulged that “Mrs. Midland” was impersonated by Lou’s 12-year-old daughter Amy. (Lou, to the prankster’s relief, always politely declined Mrs. Midland’s overtures.) Meanwhile, Mrs. Sedaris—soon after she’s put a beloved sick cat to sleep—is terrorized by bogus reports of a “miraculous new cure for feline leukemia,” all orchestrated by her bitter children. Brilliant evildoing in this family is not unique to the author. Sedaris (also an essayist on National Public Radio) approaches comic preeminence as he details his futile attempts, as an adult, to learn the French language. Having moved to Paris, he enrolls in French class and struggles endlessly with the logic in assigning inanimate objects a gender (“Why refer to Lady Flesh Wound or Good Sir Dishrag when these things could never live up to all that their sex implied?”). After months of this, Sedaris finds that the first French-spoken sentiment he’s fully understood has been directed to him by his sadistic teacher: “Every day spent with you is like having a cesarean section.” Among these misadventures, Sedaris catalogs his many bugaboos: the cigarette ban in New York restaurants (“I’m always searching the menu in hope that some courageous young chef has finally recognized tobacco as a vegetable”); the appending of company Web addresses to television commercials (“Who really wants to know more about Procter & Gamble?”); and a scatological dilemma that would likely remain taboo in most households.
Naughty good fun from an impossibly sardonic rogue, quickly rising to Twainian stature.Pub Date: June 1, 2000
ISBN: 0-316-77772-2
Page Count: 288
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2000
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by David Sedaris ; illustrated by Ian Falconer
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