The historical details may be of interest to astronomy buffs, but neither they nor the Herschels come into involving focus...
Brown (The Last First Day, 2013) fictionalizes the lives of highly respected astronomer-siblings William and Caroline "Lina" Herschel with an emphasis on Lina’s growth from dependence on her brother to success in her own right.
The novel’s first section, devoted to Lina as a child in Germany from 1755 until her move to England in 1772 at age 22, is the most involving. She grows up in Hanover, in a large impoverished family headed by a musician father and a bitter, continually pregnant mother. Lina, small and sickly, adores William, a gifted scholar and musician 12 years her senior, who shares with her his love of astronomy and learning in general. William leaves permanently for England to avoid military conscription while Lina is still a child. Under her mother’s harsh control and with little hope of marriage, especially after a fever stunts her growth and leaves her pockmarked, Lina’s future looks bleak. But when she’s 22, William answers her written plea—“Save me”—by moving her to Bath, where his work as a musician pays for his explorations in astronomy and his eventually successful ambition to build a large reflective telescope. William gives her intellectual instruction, and she assists his astronomy, runs the household and finances, and contributes income with her singing. Lina’s adoration of William comes across as a bit creepy—the way she notes his handsome looks and feeds him by hand when he's occupied on his telescope, “intimacy” she herself notes is odd—but Brown never delves beyond polite boundaries. While jealous of Lina’s only suitor—a fictional creation—William marries a pretty, wealthy widow at age 50. Peremptorily moved from William’s house, Lina finally comes into her own as an astronomer.
The historical details may be of interest to astronomy buffs, but neither they nor the Herschels come into involving focus in this plodding version of their lives.Pub Date: Jan. 19, 2016
ISBN: 978-0-8041-9793-9
Page Count: 352
Publisher: Pantheon
Review Posted Online: Oct. 17, 2015
Kirkus Reviews Issue: Nov. 1, 2015
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
In Clavell's last whopper, Tai-pan, the hero became tai-pan (supreme ruler) of Hong Kong following England's victory in the first Opium War. Clavell's new hero, John Blackthorne, a giant Englishman, arrives in 17th century Japan in search of riches and becomes the right arm of the warlord Toranaga who is even more powerful than the Emperor. Superhumanly self-confident (and so sexually overendowed that the ladies who bathe him can die content at having seen the world's most sublime member), Blackthorne attempts to break Portugal's hold on Japan and encourage trade with Elizabeth I's merchants. He is a barbarian not only to the Japanese but also to Portuguese Catholics, who want him dispatched to a non-papist hell. The novel begins on a note of maelstrom-and-tempest ("'Piss on you, storm!' Blackthorne raged. 'Get your dung-eating hands off my ship!'") and teems for about 900 pages of relentless lopped heads, severed torsos, assassins, intrigue, war, tragic love, over-refined sex, excrement, torture, high honor, ritual suicide, hot baths and breathless haikus. As in Tai-pan, the carefully researched material on feudal Oriental money matters seems to he Clavell's real interest, along with the megalomania of personal and political power. After Blackthorne has saved Toranaga's life three times, he is elevated to samurai status, given a fief and made a chief defender of the empire. Meanwhile, his highborn Japanese love (a Catholic convert and adulteress) teaches him "inner harmony" as he grows ever more Eastern. With Toranaga as shogun (military dictator), the book ends with the open possibility of a forthcoming sequel. Engrossing, predictable and surely sellable.
Pub Date: June 23, 1975
ISBN: 0385343248
Page Count: 998
Publisher: Atheneum
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: June 1, 1975
BOOK TO SCREEN
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