Unlike many rock star memoirs, there’s no sense that this book is a chore or a marketing effort. It’s revealing and...
First-class account of the life and times of an essential riot grrrl and the band she helped create.
In this debut memoir, Brownstein, co-founder of the iconic punk band Sleater-Kinney, traces her evolution from the daughter of a secure but secretly unhappy home—closeted gay father, anorexic mother—to a gawky teenage rock fan and, ultimately, to becoming an artist in her own right. (She does not delve into her work on Portlandia.) The story of her life is also, inevitably, the story of her own band: meeting (and having a close but tortuous relationship with) co-founder Corin Tucker, the endless process of writing and co-writing songs and guitar leads, firing drummers (they went through three before striking gold with Janet Weiss), and the way life on the road both forges and fractures relationships. For Sleater-Kinney fans, the book is an absolute must, as it not only describes the rise of the band, but also delves into the making of every album. Furthermore, for a band in which song authorship has never been perfectly clear, Brownstein gives some insight as to who wrote what. More than that, the book is deeply personal, an act of self-discovery by a writer both telling her story and coming to understand herself at the same time. “In Sleater-Kinney,” she writes, “each song, each album, built an infrastructure, fresh skeletons.” The author writes focused and uncluttered prose, choosing the best, most telling details, as she recounts stories that show what it means to perform for the first time and what it means for a woman to be both a fan and a star in a staunchly male-dominated world.
Unlike many rock star memoirs, there’s no sense that this book is a chore or a marketing effort. It’s revealing and riveting. On the page as in her songs, Brownstein finds the right words to give shape to experience.Pub Date: Oct. 27, 2015
ISBN: 978-1-59448-663-0
Page Count: 256
Publisher: Riverhead
Review Posted Online: July 29, 2015
Kirkus Reviews Issue: Aug. 15, 2015
PROFILES
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
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