Whether to educate or to entertain, this book succeeds on neither front, told as it is from a colonialist viewpoint
An account of a presidential search for notoriety.
Colonists have settled America and declared independence from the British. President Thomas Jefferson embarks on a new war with a French naturalist, who declares that nothing worthwhile—people nor animals—exists in the New World. Determined to prove him wrong, Jefferson commissions an epic search that uncovers a giant sloth, which is named Megalonyx jeffersonii in his honor but doesn’t impress the Frenchman. When woolly mammoth bones surface on a New York farm, Jefferson finally has his notoriety, and they are immediately sent to the White House, with another set bound for a Parisian museum. Despite the extensive backmatter, the story lacks historical context for the characters and events. Moreover, the digital, watercolor-style illustrations perpetuate stereotypes: A Native American in a feathered headdress (the only one in the book) peers from behind a tree; enslaved black figures work next to white ones in a semblance of parity. People of color are voiceless and have indeterminate facial features, rendering them homogenous and secondary in importance to white characters. One strongly worded backmatter paragraph about slavery (with no mention of Native peoples) is insufficient; such a complex historical event warrants address in the primary narrative in order to merit the attention of young readers today.
Whether to educate or to entertain, this book succeeds on neither front, told as it is from a colonialist viewpoint . (Informational picture book. 4-8)Pub Date: Jan. 1, 2019
ISBN: 978-1-4814-4268-8
Page Count: 40
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
A striking visual representation of how the label “bad reader” can feel.
A slow reader gains confidence.
Strongly influenced by Talbott’s own childhood reading journey, a young tot with a mop of brown hair and pale skin loves art, but reading doesn’t come as naturally. Crayons and colored pencils create imaginative worlds, but the words on a page crowd together, forming an impenetrable wall, with the youngster barely able to peer over. The rest of the class seemingly soars ahead, turning page after page, but the books (in the protagonist’s mind) give chase, flying menacingly like a scene from Hitchcock: “And they were coming for me! / So many words! So many pages!” Talbott expertly captures the claustrophobic crush of unknown vocabulary, first as a downpour of squiggles from the sky, then as a gnarled, dark forest with words lining the branches. But reading slowly doesn’t mean not reading at all. The youngster learns to search for familiar words, using them as steppingstones. And there are advantages: “Slow readers savor the story!” There is even a “Slow Readers Hall of Fame” included, featuring Albert Einstein, Sojourner Truth, and many others. Talbott excels at evincing concepts visually, and this talent is in evidence here as his protagonist first struggles then gains mastery, surfing confidently down a wave of words. Patience and curiosity (along with some fierce determination) can unlock incredible stories. (This book was reviewed digitally.)
A striking visual representation of how the label “bad reader” can feel. (author's note) (Picture book. 4-8)Pub Date: Sept. 14, 2021
ISBN: 978-0-399-54871-0
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: July 13, 2021
Kirkus Reviews Issue: Aug. 1, 2021
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston...
A memorable, lyrical reverse-chronological walk through the life of an American icon.
In free verse, Cline-Ransome narrates the life of Harriet Tubman, starting and ending with a train ride Tubman takes as an old woman. “But before wrinkles formed / and her eyes failed,” Tubman could walk tirelessly under a starlit sky. Cline-Ransome then describes the array of roles Tubman played throughout her life, including suffragist, abolitionist, Union spy, and conductor on the Underground Railroad. By framing the story around a literal train ride, the Ransomes juxtapose the privilege of traveling by rail against Harriet’s earlier modes of travel, when she repeatedly ran for her life. Racism still abounds, however, for she rides in a segregated train. While the text introduces readers to the details of Tubman’s life, Ransome’s use of watercolor—such a striking departure from his oil illustrations in many of his other picture books—reveals Tubman’s humanity, determination, drive, and hope. Ransome’s lavishly detailed and expansive double-page spreads situate young readers in each time and place as the text takes them further into the past.
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston Weatherford and Kadir Nelson’s Moses (2006). (Picture book/biography. 5-8)Pub Date: Nov. 7, 2017
ISBN: 978-0-8234-2047-6
Page Count: 32
Publisher: Holiday House
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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