A book full of vivid descriptions of adventures from Spain to Thailand that later descends jarringly into horror.
A memoir of a five-and-a-half year sojourn through some of the world’s more exotic, and dangerous, places.
As a recent college graduate with a sense of adventure, author Devine left New Orleans on a freighter in 1967 to meet up with her former boyfriend in Spain. It was the start of a multiyear “world odyssey” that took them through Europe, North Africa, the Middle East, and Asia, which she recounts in this poignant, if sometimes heavy-going, travel memoir. “Prospects for a beautiful life hovered, but something was missing,” she writes. “To find out what that was, I had to run away from home—in this case, sail away.” Later, they experimented with LSD and, in India, pursued yoga studies at an ashram. “Meat will make a scientist, but never a philosopher,” the vegetarian swami of the Ananda Ashram told his students. Travel offered Devine “the opportunity to discover something about myself,” but her journey ran aground on the unpleasant personality of her arrogant boyfriend, who “was living in his own world where I was only occasionally welcome,” and deviates unexpectedly into a tale of horror after the couple meet a would-be guru, in Spain, whom the author says later raped her in the fitting room of a London clothing store. Readers who recollect a more innocent era of travel may be beguiled by Devine’s keenly observed descriptions of the many places she visited and the colorful characters she encountered. In Istanbul, for example, the air is described as “thick with history and art, with dreams and nightmares, secrets of ages, and monuments to failed empires,” while in New Delhi, “No particle of physical space was unoccupied by some jostling living creature, two-footed, four-footed, man or molecule-sized being, in perpetual scuffle for survival.” “I would always be a traveler, even if I never went [to] another place,” she concludes, but her book ultimately reads like a cautionary tale about the hazards of a hedonistic lifestyle.
A book full of vivid descriptions of adventures from Spain to Thailand that later descends jarringly into horror.Pub Date: Jan. 4, 2016
ISBN: 978-0-692-57647-2
Page Count: 276
Publisher: Rabbit Hole Press
Review Posted Online: April 29, 2016
Review Program: Kirkus Indie
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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