by Carson Holloway ‧ RELEASE DATE: Feb. 1, 2001
Those who are already persuaded by the classical view of character and culture will find little new here; those who are not...
A controversial study of the moral effects of rock music.
Since its explosion onto the popular music scene in the 1950s, rock has been heralded as an instrument of liberation and damned as a major contributor to the decline of American culture. While much of the debate has been restricted to surfaces (the violence and misogyny of rap, for example, or the pseudo-Satanism of heavy metal), Holloway (Political Science/Concord Coll.) aims to move to a deeper level by asking, What is the place of music in the formation of character, and what are its effects, particularly on the young? In the tradition of Leo Strauss, he looks for the answers to his questions in the writings of the great political philosophers. In the ancients, Plato and Aristotle, he finds a recognition of the crucial effects music can have: the modes and melodies of music, apart from the words that may be set to it, can either coarsen and enflame the soul or assist it in the cultivation of virtue and contemplation. In such early modern thinkers as Hobbes and Locke, the author finds an indifference to the contemplative virtues and a concern for physical security and animal comforts, while in the late modern thinkers Rousseau and Nietzsche the importance of music is again recognized—but this time in the interests of the very passions the ancients were concerned to control. Holloway then turns to a consideration of contemporary discourse about music and its effects, pausing along the way to consider Allan Bloom’s notorious polemic against rock in The Closing of the American Mind and Robert Pattison’s defense of it in The Triumph of Vulgarity. His unsurprising conclusion is that the ancients were right, and that we expose our youth to rock music only at their and our peril.
Those who are already persuaded by the classical view of character and culture will find little new here; those who are not so persuaded will find much that is puzzling and little that might change their minds.Pub Date: Feb. 1, 2001
ISBN: 1-890626-33-3
Page Count: 232
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2000
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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