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LIZARDSKIN

Stroud moves his ongoing and powerful police-paean (Sniper's Moon, 1990; Close Pursuit, 1987) from Manhattan to Montana—and rustles up a bronco of a thriller that throws him near the end of the ride. The myth of the West inspires Stroud to some bravura writing here—his pages practically exhale prairie dust—and some terrific characters, starting with Montana Highway Patrol Sgt. Beau McAllister, 45, responding to a robbery report at Joe Bell's truck stop. There, McAllister finds an Indian boy shot dead by Bell, who's now blasting away at four other Indians shooting back with bow and arrow from the shadows of Bell's huge oil tank—reason enough (to prevent a deadly explosion) for McAllister to plug Bell in the buttocks. The Indians escape and Bell threatens to sue, but that's the least of McAllister's troubles, with sleek A.D.A. Vanessa Ballard thinking of bringing him up on charges, and McAllister's shrewish ex-wife and her lawyer-lover trying to drive a dirty wedge between the cop and his young daughter. Even those problems, though, don't match the one posed by Hollywood stuntman Gabriel Picketwire, Lakota Sioux and ex-Army assassin, returning to Montana to avenge the death of the boy shot by Bell. By the time Picketwire catches up to Bell, McAllister has fought the escapees in terrifying nighttime hand-to-hand combat and killed one—prelude to Picketwire's confrontation with Bell, which sees the Indian shot and buried alive, dug up by a dog, and then stalking Bell to skin him alive. All this tremendously virile action derails, however, when McAllister ferrets out the reason for the Indians' attack on Bell—a medical conspiracy so far-fetched it might give even Robin Cook pause, and headed by a most unconvincing villain. Lop off the mixed-up final 50 pages or so, though, and you have a cops-vs.-Indians novel to rival John Sandford's Shadow Prey.

Pub Date: Aug. 17, 1992

ISBN: 0-553-08935-8

Page Count: 384

Publisher: Bantam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1992

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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THE A LIST

Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...

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A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.

Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?

Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.

Pub Date: April 2, 2019

ISBN: 978-1-5011-5101-9

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Feb. 18, 2019

Kirkus Reviews Issue: March 1, 2019

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